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Falcon the Hunter

Monsters Dragon of Icespire Peak

Archer. A longbow or shortbow deals one extra die of its damage when Falcon hits with it (included in his longbow attack). Sharpshooter. Falcon's ranged weapon attacks ignore half cover and three

wears a fur-lined cloak over his studded leather armor. He stands 6 feet, 6 inches tall, and has black hair and broad shoulders. His eyes are as blue, cold, and sharp as ice, and he sports a neatly

Flying Chariot

Magic Items Mythic Odysseys of Theros

the creatures pulling them work like controlled mounts, as described in the mounted combat rules in the Player’s Handbook, but with the following differences: Mounting or dismounting a chariot

costs you 5 feet of movement, rather than a number of feet equal to half your speed. Being mounted on a chariot grants you half cover. A chariot’s speed is equal to the speed of the slowest

Lorehold Professor of Order

Monsters Strixhaven: A Curriculum of Chaos

provides total cover. It has AC 17, 30 hit points, and immunity to poison and psychic damage. Spellcasting. The professor casts one of the following spells, requiring no material components and using

magic. Lorehold Scholars The archaeomancers of Lorehold College draw their magical might from the flow of time and fate and the way those forces shape the course of history. Scholars of this broad

Avarice

Monsters Icewind Dale: Rime of the Frostmaiden

challenge, even when the odds are clearly stacked against her. Seeing other wizards as a threat, paranoia rules her life. Avarice has been a member of the Arcane Brotherhood for almost two years. She

the Monster Manual but is a fiend instead of a beast. Spellbook. Avarice’s spellbook has white leather covers and vellum pages. The tiefling’s personal sigil is burned into the front cover

Orcus

Monsters Mordenkainen Presents: Monsters of the Multiverse

Dungeon Master’s Guide.Orcus’s Lair Orcus makes his lair in the fortress city of Naratyr, which is on Thanatos, the layer of the Abyss that he rules. Surrounded by a moat fed by the

of Death. This creature emanates a deathly aura that extends 30 feet in every direction from its space while it isn’t incapacitated. The aura is blocked by total cover. While in the aura, the

Aarakocra

Species Mordenkainen Presents: Monsters of the Multiverse

taper to sharp talons. Feathers cover their bodies—usually red, orange, yellow, brown, or gray. Their heads are also avian, often resembling those of parrots or eagles. Creating Your Character

At 1st level, you choose whether your character is a member of the human race or of a fantastical race. If you select a fantastical race, follow these additional rules during character creation

Tiefling Legacy

Species Basic Rules (2014)

. Their skin tones cover the full range of human coloration, but also include various shades of red. Their hair, cascading down from behind their horns, is usually dark, from black or brown to dark red

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

Giff

Species Spelljammer: Adventures in Space

Giff are tall, broad-shouldered folk with hippo-like features. Some have smooth skin, while others have short bristles on their faces and the tops of their heads. As beings of impressive size and

character is a member of the human race or one of the game’s fantastical races. If you create a character using a race option presented here, follow these additional rules during character creation

Feral Tiefling

Species Sword Coast Adventurer's Guide

. Their skin tones cover the full range of human coloration, but also include various shades of red. Their hair, cascading down from behind their horns, is usually dark, from black or brown to dark red

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

Where to Go Next

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

Where to Go Next Each card in the Deck of Many Things has inspired one chapter of this book. The chapters, in turn, cover five broad themes.

Ten Rules to Remember

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Ten Rules to Remember 1. The DM Adjudicates the Rules The rules of D&D cover many of the twists and turns that come up in play, but the possibilities are so vast that the rules can’t cover

everything. When you encounter something that the rules don’t cover or if you’re unsure how to interpret a rule, the DM decides how to proceed, aiming for a course that brings the most enjoyment to your whole

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

the game. It includes information on the various races, classes, backgrounds, equipment, and other customization options that you can choose from. Many of the rules in part 1 rely on material in parts

The Environment

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

The Environment By its nature, adventuring involves delving into places that are dark, dangerous, and full of mysteries to be explored. The rules in this section cover some of the most important ways

in which adventurers interact with the environment in such places. The Dungeon Master’s Guide has rules covering more unusual situations.

Using These Rules

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Using These Rules The D&D Basic Rules document has four main parts. Part 1 is about creating a character, providing the rules and guidance you need to make the character you’ll play in the game. It

includes information on the various races, classes, backgrounds, equipment, and other customization options that you can choose from. Many of the rules in part 1 rely on material in parts 2 and 3

Overview

Compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

Dragonlance campaign setting. The introduction and chapter 1 cover broad details of the world but focus on the lands surrounding the city of Kalaman in the nation of Solamnia—the setting of the adventure

General Features

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

three-quarters cover against attacks from the other side (see “Cover” in the Basic Rules). Dusty old furnishings such as simple wooden chairs and tables remain in most intact buildings. Trees and Brush

terrain (see “Difficult Terrain” in the Basic Rules). Intact buildings are rundown, ramshackle stone cottages that are otherwise still standing. Their wooden doors are swollen and require a successful

The Environment

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

The Environment By its nature, adventuring involves delving into places that are dark, dangerous, and full of mysteries to be explored. The rules in this section cover some of the most important ways in which adventurers interact with the environment in such places.

1. Cave Mouth

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

.) However, if the characters make a lot of noise here—for example, loudly arguing about what to do next, setting up a camp, cutting down brush, and so on—the goblins in area 2 notice and attack them through the thicket, which provides the goblins with half cover (see the Basic Rules for rules on cover).

2. Goblin Blind

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

difficult terrain, but they aren’t dangerous—just annoying. They provide half cover to creatures behind them. (See “Difficult Terrain” and “Cover” in the Basic Rules for more information.)

contested by the goblins’ passive Wisdom (Perception) score to avoid being surprised. See the Basic Rules for more information on ability check contests. Thickets. The thickets around the clearing are

Area of Effect

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

: Cone Cube Cylinder Emanation Line Sphere An area of effect has a point of origin, a location from which the effect’s energy erupts. The rules for each shape specify how to position its

obstruction must provide Total Cover. See also “Cover.” If the creator of an area of effect places it at an unseen point and an obstruction—such as a wall—is between the creator and that point, the point of origin comes into being on the near side of the obstruction.

Area of Effect

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

: Cone Cube Cylinder Emanation Line Sphere An area of effect has a point of origin, a location from which the effect’s energy erupts. The rules for each shape specify how to position its

obstruction must provide Total Cover. See also “Cover.” If the creator of an area of effect places it at an unseen point and an obstruction—such as a wall—is between the creator and that point, the point of origin comes into being on the near side of the obstruction.

Infernal War Machine Combat

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

vehicle rules don’t cover, fall back on the core rules. For example, if a character wants to leap from one moving vehicle to another, determine whether the character succeeds or not with a Strength

patrols. The rules for infernal war machines in appendix B are meant to help you adjudicate situations that arise during encounters, but combat involving infernal war machines works best with “theater

Miniatures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

on large vinyl mats. Most virtual tabletops for online play simulate miniatures and grids in a digital environment. The following sections expand on the rules in the Player’s Handbook for depicting

the table, that’s fine, but treat the monster as its official size for all rules. For example, you might use a miniature that has a Large base to represent a Huge giant. That giant takes up less

Credits

Compendium - Sources->Dungeons & Dragons->Descent into the Lost Caverns of Tsojcanth

Credits Lead Designer: Justice Ramin Arman Designer: Dan Dillon Rules Developer: Ron Lundeen Art Director: Fury Galluzzi Lead Editor: Judy Bauer Editor: Hannah Rose Graphic Designer

: Paolo Vacala Cover Illustrator: Jodie Muir Cartographer: Mike Schley Interior Illustrators: Stephen Andrade, Mark Behm, Zoltan Boros, Adrián Ibarra Lugo, Arash Radkia Premade Character

Province Scale

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

chapter) or any location where you expect to track the adventurers’ movement in hours rather than days. The ground cover of an area this size will include broad stretches of one predominant terrain type

Greenfast

Compendium - Sources->Dungeons & Dragons->Candlekeep Mysteries

Way, along a broad creek flowing into the Dessarin River. Greenfast is a prosperous community whose farmers take advantage of their proximity to the Trade Way to sell to both Waterdeep and Daggerford

cover for his sinister activities, as the characters will discover.) Viallis lives in a comfortable house (see area G3), but he is not home when the characters arrive. The village features other

Flavors of Fantasy

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Flavors of Fantasy Dungeons & Dragons is a fantasy game, but that broad category encompasses a lot of variety. Many different flavors of fantasy exist in fiction and film. Do you want a horrific

Robert E. Howard and Fritz Leiber? Your choice can have a impact on the flavor of your campaign. Heroic Fantasy Heroic fantasy is the baseline assumed by the D&D rules. The Player’s Handbook describes

Credits

compendium - Sources->Dungeons & Dragons->Astarion's Book of Hungers

Credits Lead Designer: Amanda Hamon Designers: Ron Lundeen, Stephen Rooney, Sarra Scherb Rules Developers: Patrick Renie (lead), Makenzie De Armas, Ben Petrisor Editors: Adrian Ng Di

Spaltro (lead), Sadie Lowry, F. Wesley Schneider, Hans Ziegler Art Director: Josh Herman Graphic Designers: Trystan Falcone (lead), Matt Cole Cover Illustrator: Magali Villeneuve Interior

Credits

compendium - Sources->Dungeons & Dragons->Lorwyn: First Light

Credits Lead Designer: Amanda Hamon Designers: Patrick Renie, Michael Zhang, Hans Ziegler Rules Developer: Makenzie De Armas Editors: Adrian Ng Di Spaltro (lead), Emma Mieko Candon, Amanda

Frechin, James Wyatt Art Director: Josh Herman Graphic Designer: Trystan Falcone Cover Illustrator: Justin Gerard Interior Illustrators: Daren Bader, Filip Burburan, Vincent Christiaens

Credits

compendium - Sources->Dungeons & Dragons->Netheril’s Fall: Tales of Terror, Treasure, and Time Travel

Credits Credits Lead Designer: Amanda Hamon Designers: Ron Lundeen, David Somerville Rules Developer: Makenzie De Armas Editors: Adrian Ng Di Spaltro (lead), Ayla Bondora, Amanda Frechin

, Sadie Lowry, James Wyatt Art Director: Josh Herman Graphic Designers: Trystan Falcone (lead), Matt Cole Cover Illustrator: Olivier Bernard Interior Illustrators: Luca Bancone, Adam Cook, Álvaro

Local Nuisances

Compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

hazard native to the Lower Planes. This black, creeping ivy has broad, glossy leaves with razor-sharp stems and thorns. Work crews fight the rapidly growing weed from overrunning the city. Others use

razorvine strategically to deter intruders by letting it grow along estate walls or as carefully cultivated hedges. Rules for razorvine can be found in the Dungeon Master’s Guide.

Making an Attack

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

target within your attack's range: a creature, an object, or a location. 2. Determine modifiers. The DM determines whether the target has cover and whether you have advantage or disadvantage against the

the particular attack has rules that specify otherwise. Some attacks cause special effects in addition to or instead of damage. If there's ever any question whether something you're doing counts as an attack, the rule is simple: if you're making an attack roll, you're making an attack.

Flying Chariot

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

. CHARIOTS Chariots and the creatures pulling them work like controlled mounts, as described in the mounted combat rules in the Player’s Handbook, but with the following differences: Mounting or

dismounting a chariot costs you 5 feet of movement, rather than a number of feet equal to half your speed. Being mounted on a chariot grants you half cover. A chariot’s speed is equal to the

Making an Attack

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Modifiers. The DM determines whether the target has Cover (see the next section) and whether you have Advantage or Disadvantage against the target. In addition, spells, special abilities, and other

effects can apply penalties or bonuses to your attack roll. Resolve the Attack. Make the attack roll, as detailed earlier in this chapter. On a hit, you roll damage unless the particular attack has rules that specify otherwise. Some attacks cause special effects in addition to or instead of damage.

D5. Narrow Tunnel

Compendium - Sources->Dungeons & Dragons->Dragon of Icespire Peak

tunnel. A buried creature is blinded and restrained, has total cover against attacks, and begins to suffocate when it runs out of breath (see “Suffocation” in the Basic Rules). Only a creature that is

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