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Lorehold Student

Backgrounds Strixhaven: A Curriculum of Chaos

broad field of history. You might dream of using magic to contact great historical figures or your own ancestors or of recreating the mighty magic of a distant age. Skill Proficiencies

Owlin

Species Strixhaven: A Curriculum of Chaos

Distant kin of giant owls from the Feywild, owlin come in many shapes and sizes, from petite and fluffy to wide-winged and majestic. Owlin have arms and legs like other Humanoids, as well as wings

additional rules during character creation. Ability Score Increases When determining your character’s ability scores, increase one of those scores by 2 and increase a different score by 1, or

Tiefling Legacy

Species Basic Rules (2014)

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Gnome Legacy

Species Basic Rules (2014)

. Gnomes average slightly over 3 feet tall and weigh 40 to 45 pounds. Their tan or brown faces are usually adorned with broad smiles (beneath their prodigious noses), and their bright eyes shine with

over time. Gnome names are typically variants on the names of ancestors or distant relatives, though some are purely new inventions. When dealing with humans and others who are “stuffy” about

Human Legacy

Species Basic Rules (2014)

pages were tales of bold heroes, strange and fierce animals, mighty primitive gods, and a magic that was part and fabric of that distant land. — Elaine Cunningham, Daughter of the Drow In the

empires on the foundation of conquest and trade. Whatever drives them, humans are the innovators, the achievers, and the pioneers of the worlds. A Broad Spectrum With their penchant for migration

Firbolg

Species Mordenkainen Presents: Monsters of the Multiverse

Distant cousins of giants, the first firbolgs wandered the primeval forests of the multiverse, and the magic of those forests entwined itself with the firbolgs’ souls. Centuries later, that

Character At 1st level, you choose whether your character is a member of the human race or of a fantastical race. If you select a fantastical race, follow these additional rules during character

Giff

Species Spelljammer: Adventures in Space

Giff are tall, broad-shouldered folk with hippo-like features. Some have smooth skin, while others have short bristles on their faces and the tops of their heads. As beings of impressive size and

character is a member of the human race or one of the game’s fantastical races. If you create a character using a race option presented here, follow these additional rules during character creation

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Lizardfolk

Species Mordenkainen Presents: Monsters of the Multiverse

The saurian lizardfolk are thought by some sages to be distant cousins of dragonborn and kobolds. Despite their resemblance to those other scaled folk, however, lizardfolk are their own people and

level, you choose whether your character is a member of the human race or of a fantastical race. If you select a fantastical race, follow these additional rules during character creation. Ability Score

Feral Tiefling

Species Sword Coast Adventurer's Guide

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language

, passed down through generations, that reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal

concept and then try to embody that concept. For some, the chosen name is a noble quest. For others, it’s a grim destiny. Male Infernal Names: Akmenos, Amnon, Barakas, Damakos, Ekemon, Iados, Kairon

Goliath Legacy

Species Elemental Evil Player's Companion

mock folk who rely on society’s structures or rules to maintain power. Survival of the Fittest Among goliaths, any adult who can’t contribute to the tribe is expelled. A lone goliath has

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

The Three Pillars of Adventure

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

rescued prisoner, pleading for mercy from an orc chieftain, or persuading a talkative magic mirror to show a distant location to the adventurers. The rules in part 2 (especially "Using Ability Scores" and

The Three Pillars of Adventure Adventurers can try to do anything their players can imagine, but it can be helpful to talk about their activities in three broad categories: exploration, social

Mysterious Islands

Compendium - Sources->Dungeons & Dragons->Ghosts of Saltmarsh

Mysterious Islands Small islands dot most oceans, distant or unexplored locales that might host all manner of adventures. The following rules can be used to generate any islands the characters might encounter.

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Using These Rules

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Using These Rules The D&D Basic Rules document has four main parts. Part 1 is about creating a character, providing the rules and guidance you need to make the character you’ll play in the game. It

includes information on the various races, classes, backgrounds, equipment, and other customization options that you can choose from. Many of the rules in part 1 rely on material in parts 2 and 3

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Player’s Handbook Credits Lead Designer: Jeremy Crawford Designers: Christopher Perkins, Ben Petrisor, F. Wesley Schneider, Ray Winninger, James Wyatt Rules Developers: Jeremy Crawford (lead

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

The Mind of Araumycos

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

the length of the journey. The characters’ thoughts draw them toward a distant, floating object. It appears to be a hemisphere, until its slow rotation reveals its true form: a giant skull missing its

jawbone, formed out of some kind of pale rock. As the characters draw closer, the skull reveals itself to be the size of a small mountain. Its surface is covered in lichens and broad patches of mold

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Dungeon Master’s Guide Credits Lead Designers: Christopher Perkins, James Wyatt Designers: Jeremy Crawford, F. Wesley Schneider, Ray Winninger Rules Developers: Jeremy Crawford (lead), Makenzie

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Somerville Rules Developers: Jeremy Crawford (lead), Makenzie De Armas, Ron Lundeen, Ben Petrisor, Patrick Renie Editors: Adrian Ng Di Spaltro (lead), Judy Bauer, Michele Carter, James Wyatt Art

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

Credits

compendium - Sources->Dungeons & Dragons->The Book of Many Things

Credits Project Lead: Jason Tondro Art Director: Bree Heiss Writers: Makenzie De Armas, Dan Dillon, Patrick Renie, Carl Sibley, Jason Tondro, James Wyatt Rules Developers: Jeremy Crawford

, Craig J Spearing, Brian Valeza, Zuzanna Wuzyk, Jim Zaccaria Concept Art Director: Bree Heiss Concept Artist: Claudio Pozas Consultants: Nivair Gabriel, Basheer Ghouse, Jonathan Tomhave Project

Foreward

compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

hard part was deciding how exactly to do that. We faced an important decision early on in creating the concept for this campaign. In addition to the original 1985 adventure, there was a sequel released

updated stats. A simple reprint felt like a disappointing option. The Temple of Elemental Evil is available as an ebook, and the conversion from the first edition rules to fifth edition is fairly

The God-Brain's Powers and Dominion

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

knows anything that they know. The God-Brain delegates broad goals to its most effective servants, encouraging them to indulge all manner of radical experiments. Mist Vibrations. Through the awesome

is wracked by extreme electrical storms, and alien vapors rise at the domain’s distant edges and within its hidden tunnels. Rather than barring creatures’ escape, these Mists repress memories. Any non

It's Your World

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

, but they’re not the only set of assumptions that can do so. You can build an interesting campaign concept by altering one or more of those core assumptions, just as well-established D&D worlds have done

remote, and even angels never make contact with mortals? In the Dark Sun setting, the gods are extremely distant — perhaps nonexistent — and clerics rely instead on elemental power for their magic.

Flavors of Fantasy

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Flavors of Fantasy Dungeons & Dragons is a fantasy game, but that broad category encompasses a lot of variety. Many different flavors of fantasy exist in fiction and film. Do you want a horrific

Robert E. Howard and Fritz Leiber? Your choice can have a impact on the flavor of your campaign. Heroic Fantasy Heroic fantasy is the baseline assumed by the D&D rules. The Player’s Handbook describes

Local Nuisances

Compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

hazard native to the Lower Planes. This black, creeping ivy has broad, glossy leaves with razor-sharp stems and thorns. Work crews fight the rapidly growing weed from overrunning the city. Others use

razorvine strategically to deter intruders by letting it grow along estate walls or as carefully cultivated hedges. Rules for razorvine can be found in the Dungeon Master’s Guide.

Darklords

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

adventures rather than saving them for distant climactic plots. Darklords Don’t Realize They’re Darklords. With a few exceptions, Darklords don’t realize they occupy a special place in the world. Their

concept of how long they’ve lived, how many times they’ve died, or why they returned to life. Should a Darklord fall, the temporary defeat lasts until they’re restored by the Dark Powers. In their

Giantkind

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

. The Many Meanings of “Giant” The word “giant” has multiple meanings in English and in the rules of D&D, opening the possibility of some confusion. As a rule, when this book talks about “giants

not capitalized or otherwise qualified. “Giant” is also a creature type in the D&D rules, and as such, it’s capitalized whenever it’s used. This book usually refers to “creatures of the Giant type” to

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Quandt, Morrigan Robbins, Ashley Warren Rules Development: Jeremy Crawford, Dan Dillon, Ben Petrisor, Taymoor Rehman World Building: John Francis Daley, Crystal Frasier, Jonathan Goldstein, Ed

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Erin Roberts, James L. Sutter Rules Developer: Jeremy Crawford Editors: Sydney Adams, Judy Bauer, Janica Carter, Laura Hirsbrunner, Adrian Ng, Jason Tondro Senior Graphic Designer: Trish Yochum

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

Credits Project Leads: Justice Ramin Arman, F. Wesley Schneider Art Director: Emi Tanji Writers: Justice Ramin Arman, Dan Dillon, F. Wesley Schneider Rules Developers: Christopher Perkins

Wuzyk Cartographer: Jared Blando Poster Map Cartographer: Francesca Baerald Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Morte’s Planar Parade

Credits Project Leads: Justice Ramin Arman, F. Wesley Schneider Art Director: Emi Tanji Writers: Dan Dillon, Ben Petrisor, F. Wesley Schneider Rules Developers: Jeremy Crawford, Ron

Yanner Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max Dunbar, Alex Konstad, Juho Laitila, Izzy Medrano, One Pixel Brush, Noor Rahman

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