before building death concept rules - Search

Cultist (Knights of the Black Sword)

Monsters Icewind Dale: Rime of the Frostmaiden

Levistus, the archdevil who rules Stygia, the sixth layer of the Nine Hells, from the confines of an ice prison from which he cannot escape. Most of the cultists are Icewind Dale natives who would

have perished in the wilderness had Levistus not intervened on their behalf. The cultists’ stories are all the same: the archdevil reached out to them in their minds as they were freezing to death

Cult Fanatic (Knights of the Black Sword)

Monsters Icewind Dale: Rime of the Frostmaiden

","rollDamageType":"piercing"} piercing damage.The Knights of the Black Sword are a secret society of cultists devoted to Levistus, the archdevil who rules Stygia, the sixth layer of the Nine Hells, from the

’ stories are all the same: the archdevil reached out to them in their minds as they were freezing to death, offering a second chance at life in exchange for their absolute devotion. After they

Orcus

Monsters Mordenkainen Presents: Monsters of the Multiverse

will: animate dead (as an action), blight, speak with dead 1 charge each: circle of death, finger of death 2 charges: power word killOrcus can take 3 legendary actions, choosing from the options

Tail or Necrotic Bolt attack. Creeping Death (Costs 2 Actions). Orcus chooses a point on the ground that he can see within 100 feet of him. A cylinder of swirling necrotic energy 60 feet tall and

Golgari Agent

Backgrounds Guildmasters’ Guide to Ravnica

You are a member of a teeming horde — one small part of a sprawling organism. Just as you are part of the swarm, the swarm is part of a larger ecosystem, a never-ending cycle of life, death

Golgari, no fear of death or taboo about the dead, just a fierce affirmation of the cycle. Skill Proficiencies: Nature, Survival Tool Proficiencies: Poisoner’s kit Languages

Rahadin

Monsters Curse of Strahd

his attention to building Castle Ravenloft, Rahadin saw to it that wizards and artisans were brought to Barovia. Years later, Strahd appointed Rahadin his castle chamberlain. Rahadin was pleased to do

Tatyana's death and Strahd's curse. The ageless Patrina returned to Ravenloft in the hope of winning Strahd's love. This time, it was clear that Patrina craved Strahd's power and that Strahd would

Orcus Legacy

Monsters Out of the Abyss

with dead. Alternatively, he can expend 1 or more of the wand’s charges to cast one of the following spells from it: circle of death (1 charge), finger of death (1 charge), or power word kill (2

. A Taste of Undeath. Orcus casts chill touch (17th level). Creeping Death (Costs 2 Actions). Orcus chooses a point on the ground that he can see within 100 feet of him. A cylinder of swirling

Tortle Legacy

Species The Tortle Package

test, and make new acquaintances. Life of a Tortle A tortle hatches from a thick-shelled egg and spends the first few weeks of its life crawling on all fours. Its parents, old and near death, spend

watch a frog croaking on a lily pad, or to stand in a crowded human marketplace. Tortles like to learn new skills. They craft their own tools and weapons, and they are good at building structures and

Shadar-kai

Species Mordenkainen Presents: Monsters of the Multiverse

Material Plane to forge their own destinies. Once shadar-kai were Fey like the rest of their elven kin; now they exist in a state between life and death, thanks to being transformed by the Shadowfell

race, follow these additional rules during character creation. Ability Score Increases When determining your character’s ability scores, increase one score by 2 and increase a different score

Criminal - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

underbelly of civilization, and you have survived up to this point by flouting the rules and regulations of society. Skill Proficiencies: Deception, Stealth Tool Proficiencies: One

realizing the connection. You got the Guild to back off demands for your death by offering to make amends by working for the criminals, but even so the kingpin still plots a personal revenge. 2 The

Giff Legacy

Monsters Mordenkainen’s Tome of Foes

of giff society is organized along military lines. From birth until death, every giff has a military rank. It must follow orders from those of superior rank, and it can give orders to those of lower

building a bomb big enough to level a fortification. They gladly accept payment in kegs of gunpowder in preference to gold, gems, or other currency. No Honor in Magic. Some giff become wizards

Goliath Legacy

Species Elemental Evil Player's Companion

mock folk who rely on society’s structures or rules to maintain power. Survival of the Fittest Among goliaths, any adult who can’t contribute to the tribe is expelled. A lone goliath has

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

creations are ultimately doomed to death and decomposition, and the dragons’ demeanor is typically morbid and curmudgeonly as a result. Gleaming Gold Upon hatching, topaz dragon wyrmlings&rsquo

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

the necrotic energy of the Negative Plane that suffuses them. Their psionic power manifests the fundamental entropic principle that mortal beings and their creations are ultimately doomed to death and

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Player’s Handbook Credits Lead Designer: Jeremy Crawford Designers: Christopher Perkins, Ben Petrisor, F. Wesley Schneider, Ray Winninger, James Wyatt Rules Developers: Jeremy Crawford (lead

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Dungeon Master’s Guide Credits Lead Designers: Christopher Perkins, James Wyatt Designers: Jeremy Crawford, F. Wesley Schneider, Ray Winninger Rules Developers: Jeremy Crawford (lead), Makenzie

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Kenku Legacy

Species Volo's Guide to Monsters

at the burned-out building, a sudden cacophony erupted around us. Birds squawked, cats hissed, and dogs growled. Lidda hustled us back to the city’s safer avenues. Only when we were back within

the area patrolled by the guard did she explain that the noises indicated that the wingless folk had claimed that area, and that to trespass would be to court death. — Gimble, Notes from a

Encounter Building

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Encounter Building This section introduces new guidelines on building combat encounters for an adventure. They are an alternative to the rules in “Creating Encounters” in chapter 3 of the Dungeon

Master’s Guide. This approach uses the same math that underlies the rules presented in that book, but it makes a few adjustments to the way that math is presented to produce a more flexible system. This

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Scaling Lethality

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

your players agree to avoid character death in your game, you might consider an alternative: a character who would otherwise die is instead “defeated.” The following rules apply to a defeated character

Scaling Lethality You can adjust the lethality of your campaign using the encounter-building guidelines in chapter 4. If your players enjoy games that test their characters to the utmost and are

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Quandt, Morrigan Robbins, Ashley Warren Rules Development: Jeremy Crawford, Dan Dillon, Ben Petrisor, Taymoor Rehman World Building: John Francis Daley, Crystal Frasier, Jonathan Goldstein, Ed

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Death House Features

Compendium - Sources->Dungeons & Dragons->Vecna: Eve of Ruin

the characters arrive. The cultists take oil lamps into the ritual chamber (area D38) when they gather there. The Mists When the characters enter Death House, the Mists surround the building and prevent

Death House Features The locations in Death House have the following features. Ceilings Ceilings vary in height by floor. The first floor has 10-foot-high ceilings, the second floor has 12-foot-high

Session Zero

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

run a special session—colloquially called session zero—to establish expectations, outline the terms of a social contract, and share house rules. Making and sticking to these rules can help ensure

that the game is a fun experience for everyone involved. Often a session zero includes building characters together. As the DM, you can help players during the character creation process by advising them to select options that will serve the adventure or campaign that awaits.

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

General Features

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

General Features Many of Thundertree’s buildings have crumbled in the years since the town was abandoned, even as nature threatens to swallow what remains. Buildings. A building in Thundertree is

terrain (see “Difficult Terrain” in the Basic Rules). Intact buildings are rundown, ramshackle stone cottages that are otherwise still standing. Their wooden doors are swollen and require a successful

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Erin Roberts, James L. Sutter Rules Developer: Jeremy Crawford Editors: Sydney Adams, Judy Bauer, Janica Carter, Laura Hirsbrunner, Adrian Ng, Jason Tondro Senior Graphic Designer: Trish Yochum

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

describes what happens. Sometimes, however, rules govern what you can do with an object, as detailed in the following sections. What Is an Object? For the purpose of the rules, an object is a discrete

, inanimate item like a window, door, sword, book, table, chair, or stone. It isn’t a building or a vehicle, which are composed of many objects. Time-Limited Object Interactions When time is short, such

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

describes what happens. Sometimes, however, rules govern what you can do with an object, as detailed in the following sections. What Is an Object? For the purpose of the rules, an object is a discrete

, inanimate item like a window, door, sword, book, table, chair, or stone. It isn’t a building or a vehicle, which are composed of many objects. Time-Limited Object Interactions When time is short, such

Damage and Healing

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Damage and Healing Injury and death are frequent threats in D&D, as detailed in the following rules.

Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

before the wall does. For the purpose of these rules, an object is a discrete, inanimate item like a window, door, sword, book, table, chair, or stone, not a building or a vehicle that is composed of many other objects.

Objects

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

before the wall does. For the purpose of these rules, an object is a discrete, inanimate item like a window, door, sword, book, table, chair, or stone, not a building or a vehicle that is composed of many other objects.

Dragons in Play

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Dragons in Play This chapter is intended for the Dungeon Master. The ideas and tables herein can help inspire you as you prepare to use dragons in your D&D game, whether you’re building a single

divided into five main sections: “Roleplaying Dragons” presents tips and tricks for building a dragon character as complex and distinctive as any other villain, ally, or mysterious figure in your

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

unexpected direction? How did the DM handle it? Rules Adjudication. To what extent did the DM lean on the rules to adjudicate outcomes? Did the DM adjudicate situations wisely or in ways that made the

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

unexpected direction? How did the DM handle it? Rules Adjudication. To what extent did the DM lean on the rules to adjudicate outcomes? Did the DM adjudicate situations wisely or in ways that made the

Search Results