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Water Weird Legacy

Monsters Monster Manual (2014)

those its summoner declares as off limits. When slain, a water weird becomes an inanimate pool of water. Good and Evil Weirds. Like most elementals, a water weird has no concept of good or evil

interlopers rather than kill them, while a neutral evil water weird kills its victims for pleasure and might turn against its summoner. A water weird loses its evil alignment if its waters are cleansed

Swarmkeeper

Classes Tasha’s Cauldron of Everything

force in battle, as well as helpful company for the ranger. Some Swarmkeepers are outcasts or hermits, keeping to themselves and their attendant swarms rather than dealing with the discomfort of others

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

Goliath Legacy

Species Elemental Evil Player's Companion

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

away in the night to seek the cold will of fate. In some ways, the goliath drive to outdo themselves feeds into the grim inevitability of their decline and death. A goliath would much rather die in

Swarmkeeper (TCoE)

Classes Tasha’s Cauldron of Everything

force in battle, as well as helpful company for the ranger. Some Swarmkeepers are outcasts or hermits, keeping to themselves and their attendant swarms rather than dealing with the discomfort of others

. Other Swarmkeepers enjoy building vibrant communities that work for the mutual benefit of all those they consider part of their swarm. A Swarmkeeper’s swarm and spells are reflections of the

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

Decay While generally not malicious, topaz dragons embody decay. They view destruction as a natural means of clearing the way for new creation and growth, much as a forest fire clears dead wood

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

’s mood. Embodiment of Decay While generally not malicious, topaz dragons embody decay. They view destruction as a natural means of clearing the way for new creation and growth, much as a forest

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

Alustriel Silverhand

Monsters Vecna: Eve of Ruin

are to spread kindness, reward virtue, and promote a culture of compassion throughout the multiverse. She is good at building alliances and quick to intervene when she senses a threat to the forces of

in her true form. She helped create Silverymoon’s famous Moonbridge and cofounded the Lady’s College, the first school in Faerûn for mages as students rather than as apprentices in

Giff Legacy

Monsters Mordenkainen’s Tome of Foes

refuse to fight other giff, and will never agree to a contract unless it stipulates that they can sit out a battle rather than wage war against their kin. A giff prizes the reputation of its unit above its

building a bomb big enough to level a fortification. They gladly accept payment in kegs of gunpowder in preference to gold, gems, or other currency. No Honor in Magic. Some giff become wizards

Survival of the Fittest

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

themselves feeds into the grim inevitability of their decline and death. A goliath would much rather die in battle, at the peak of strength and skill, than endure the slow decay of old age. Few folk

pity for adults who can’t take care of themselves, though a sick or injured individual is treated, as a result of the goliath concept of fair play. A permanently injured goliath is still expected to

Firbolg Legacy

Species Volo's Guide to Monsters

the group’s needs, but the effect each action will have on the forest and the rest of the natural world. Firbolg tribes would rather go hungry than strain the land during a famine. Hidden

Shepherds As caretakers of the land, firbolgs prefer to remain out of sight and out of mind. They don’t try to dominate nature, but rather seek to ensure that it prospers and survives according to its

Ancient Deep Dragon Legacy

Monsters Fizban's Treasury of Dragons

rather enjoy the company of people—as long as they remain unaware of my true nature. Deep Dragon Ideals d6;{"diceNotation":"1d6","rollType":"roll","rollAction":"Ideal"} Ideal

of my power. (Evil) 6 Patience. All creatures might teach me something, and I’m willing to wait and find out what that might be rather than acting in haste. (Good) Deep Dragon

Adult Topaz Dragon

Monsters Fizban's Treasury of Dragons

the dragon’s mood. Embodiment of Decay While generally not malicious, topaz dragons embody decay. They view destruction as a natural means of clearing the way for new creation and growth

from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter

Studies and Philosophy

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

philosophy of Witherbloom. The decay philosophy sees life energy as a resource to be consumed, rather than a good to be nourished for its own sake. Mages who adopt this view wield negative energy and

of the mathematical patterns in nature. Growth and Decay The two deans of Witherbloom are traditionally called the Dean of the Root and the Dean of the Vein. These titles are a somewhat abstract way

Ancient Topaz Dragon

Monsters Fizban's Treasury of Dragons

, dancing and shifting with the dragon’s mood. Embodiment of Decay While generally not malicious, topaz dragons embody decay. They view destruction as a natural means of clearing the way for new

injured and stranded far from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching

Criminal - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

Guild took over your family business, ran it into the ground, and burned the building for insurance money. You were driven into crime yourself, but you’ll never work for the Guild. You take

could be hidden. 4 I would rather make a new friend than a new enemy. 5 I am incredibly slow to trust. Those who seem the fairest often have the most to hide. 6 I don’t pay

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

names, that’s fine. If the group would rather take the characters and their names a little more seriously, urge Bob’s player to come up with a more appropriate name. Player character names should match

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Izzet Engineer

Backgrounds Guildmasters’ Guide to Ravnica

basic knowledge of the structure of buildings, including the stuff behind the walls. You can also find blueprints of a specific building in order to learn the details of its construction. Such

protocols will lead us toward progress more surely than any belief system. (Lawful) 5 Fun. I love my job! Despite the dangerous working conditions, there’s nothing I’d rather do

General Features

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

a special mummy lord whose magic pervades his tomb. Since Diderius is neutral rather than evil, the area lacks the evil magic common to other mummy-lord tombs. A few chambers of the tomb have the

appearance of opulent and well-kept rooms suitable for a noble archmage. This effect is an illusion, however, failing to cover the rank scent of dust and decay. Diderius’s magic also guides those who show proper respect. Map 11.1: Tomb of Diderius View Player Version

Zombies

Compendium - Sources->Dungeons & Dragons->Monster Manual

, reanimated corpses, often gruesomely marred by decay and lethal traumas. They serve whatever supernatural force animates them—typically evil necromancers or fiendish spirits. Zombies are relentless

, merciless, and resilient, and their dead flesh can carry on even after suffering grievous wounds. While they can follow simple orders, they rely on primal drives rather than thought. They fulfill

General Features

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

, those who honored him in life transformed him into a special mummy lord whose magic pervades his tomb. Since Diderius is neutral rather than evil, the area lacks the evil magic common to other mummy

lord tombs. A few chambers of the tomb have the appearance of opulent and well-kept rooms suitable for a noble archmage. This effect is an illusion, however, failing to cover the rank scent of dust and decay.

Kenku Legacy

Species Volo's Guide to Monsters

at the burned-out building, a sudden cacophony erupted around us. Birds squawked, cats hissed, and dogs growled. Lidda hustled us back to the city’s safer avenues. Only when we were back within

kenku, constant attempts to mimic noises can come across as confusing or irritating rather than entertaining. You can just as easily describe the sounds your character makes and what they mean. Be clear

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

. Schwalb, Rodney Thompson, James Wyatt Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Yuan-ti Cities

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

yuan-ti content themselves with maintaining these ancient places rather than building new ones for their needs. Although these sites are hundreds or even thousands of years old, they don’t look or feel

reflects human ideas about art and beauty. Over time this perspective was skewed toward the concept that the snake is the perfect form, so serpents are a common theme in their aesthetic. The major

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Crawford (co-lead), Christopher Perkins (co-lead), James Wyatt (co-lead), Peter Lee, Mike Mearls, Robert J. Schwalb, Rodney Thompson Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

1 I helped create a krasis that I love like a pet and would carry with me everywhere … except it’s the size of a building, and it might eat me. 2 In my laboratory, I

Everything I do is an attempt to impress someone I love. Flaws d6 Flaw 1 I have a rather embarrassing mutation that I do everything I can to keep hidden. 2 I’m more

Origin of the Ordning

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

the ordning in some mythic future. Giants on some worlds (including Eberron) have no concept of the ordning at all. Such giants might think of themselves as a single species, with the differences

among giant kinds reflecting a cultural or geographical distinction rather than an inherent one. They might live in bands composed of multiple giant kinds or family groups of a single kind. Or giants of

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Quandt, Morrigan Robbins, Ashley Warren Rules Development: Jeremy Crawford, Dan Dillon, Ben Petrisor, Taymoor Rehman World Building: John Francis Daley, Crystal Frasier, Jonathan Goldstein, Ed

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Character Advancement

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

taking part in a play session. A character reaches 1 checkpoint for each hour an adventure is designed to last. Note that the award is based on the adventure’s projected playing time, rather than the

designed to take 2 hours, the character reaches 3 checkpoints. Playing time might seem like an odd way to measure experience awards, but the concept is in keeping with how a shared campaign is meant to

Kobold Legacy

Species Volo's Guide to Monsters

other useful items, but if they are at risk of discovery, they run away rather than attack anyone in the house. By fleeing before they can be seen or identified, they avoid getting into a situation

divination (to find raw materials and foresee threats to the tribe). The main reason why kobolds depend on arcane magic rather than divine is Kurtulmak’s imprisonment, which makes it difficult for

Secret

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

holy symbol that represents that divinity. Some clerics, especially in a world like Eberron, serve a whole pantheon, rather than a single deity. In certain campaigns, a cleric might instead serve a

cosmic force, such as life or death, or a philosophy or concept, such as love, peace, or one of the nine alignments. Chapter 1 of the Dungeon Master’s Guide explores options like these, in the section

Dissecting the Adventure

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Dissecting the Adventure You can dissect this adventure and use pieces of it rather than the whole thing. Nothing in this adventure is too sacred to tamper with and repurpose to serve your own needs

Khorvaire, the Flotket Alps of Wildemount, or some other mountain range while preserving the plot elements. You can also strip out the story about an evil duergar building a dragon construct and have

Circles

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

with this new and unusual concept, swayed by Phylo’s claims that a higher level of communal harmony will be achieved. Basidia believes that Phylo’s separation of the circles is contrary to the unity and

, with many blissfully welcoming her madness, while others bravely try to resist it. Myconids affected by Zuggtmoy abandon the growth of life as the core of their being in favor of decay and death. More

Water Weird

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

. Good and Evil Weirds. Like most elementals, a water weird has no concept of good or evil. However, a water weird bound to a sacred or befouled source of water begins to take on the nature of that site

, becoming neutral good or neutral evil. A neutral good water weird tries to frighten away interlopers rather than kill them, while a neutral evil water weird kills its victims for pleasure and might

Darklords

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

adventures rather than saving them for distant climactic plots. Darklords Don’t Realize They’re Darklords. With a few exceptions, Darklords don’t realize they occupy a special place in the world. Their

concept of how long they’ve lived, how many times they’ve died, or why they returned to life. Should a Darklord fall, the temporary defeat lasts until they’re restored by the Dark Powers. In their

Wiltroot Hall

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

’ presence in area W5. Mascot Hunting Six mascots escaped Professor Sharpbeak’s custody and fled to the grounds of Wiltroot Hall, drawn to the bog’s latent decay. Finding. As described in the “Wiltroot Hall

easily traversable but devoid of significant features or creatures): Building Ceilings. The ceiling of Wiltroot Hall (area W1) is 40 feet high. The ceilings of the observation huts (areas W2, W7, W9, W10

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