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Githyanki Buccaneer

Monsters Spelljammer: Adventures in Space

lost the will to serve the Lich-Queen Vlaakith; they prefer to live by their own code or revel in their unbridled freedom. Githyanki Githyanki descend from an ancient people who were also the

progenitors of githzerai. These tall, gaunt folk have potent psionic powers and dwell, for the most part, on the Astral Plane. Among the best-known githyanki are the followers of the Lich-Queen Vlaakith

Eater of Hope

Monsters Mythic Odysseys of Theros

them. Twister of Wills. Being obsessed with wealth and dominating lesser beings, eaters of hope hoard treasure for the sole purpose of tempting and manipulating mortals. They revel in using creatures

’ greed to turn them against one another and their own best interests. Some foul souls can’t let go of the miserable lives they had. Having been despicable in life, these spirits fester in

Nagpa

Monsters Mordenkainen Presents: Monsters of the Multiverse

fallen civilizations and great calamities. Nagpas still fear the Raven Queen and do their best to avoid her and her agents. When it’s impossible to do so, they become cringing, fawning things, eager

. They then revel in the grand devastation their plotting brought about—looting libraries, plundering vaults, and prying secrets of arcane lore and power from the wreckage.Corruption. The nagpa

Baba Lysaga's Creeping Hut

Monsters Curse of Strahd

damage.Animated objects are crafted with potent magic to follow the commands of their creators. When not commanded, they follow the last order they received to the best of their ability, and can act independently

attacks with its flailing and stomping roots. It can also use its roots to fling large rocks. Hut Interior. The hut is a 15-foot-square, ramshackle wooden building with a gently sloping thatch roof. Its

Giff Legacy

Monsters Mordenkainen’s Tome of Foes

brighter the flash, and the thicker the smoke it produces, the more giff love a weapon. Their skill with gunpowder is another reason for their popularity as mercenaries. Giff revel in the challenge of

building a bomb big enough to level a fortification. They gladly accept payment in kegs of gunpowder in preference to gold, gems, or other currency. No Honor in Magic. Some giff become wizards

Tiefling Legacy

Species Basic Rules (2014)

is the burden of every tiefling. Some break under it, some make it the millstone around their neck, some revel in it.” He tilted his head again, scrutinizing her, with that wicked glint in his

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Satyr Legacy

Species Mythic Odysseys of Theros

for more details on the satyr homeland, the Skola Vale. The Art of the Revel The humans of the poleis generally think of satyrs’ revels as raucous bacchanals, where anything and everything

might happen. This picture isn’t wrong, but it’s incomplete: there’s more to a revel than debauchery. For satyrs, revelry is a way of life. It’s the delight in small things: the

Feral Tiefling

Species Sword Coast Adventurer's Guide

is the burden of every tiefling. Some break under it, some make it the millstone around their neck, some revel in it.” He tilted his head again, scrutinizing her, with that wicked glint in his

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Eladrin Legacy

Species Mordenkainen’s Tome of Foes

Everything dies eventually. Why bother building anything that is supposedly meant to last? 2 Nothing matters to you, and you allow others to guide your actions. 3 Your needs come first. In

the best way to solve problems. 2 Overwhelming force can accomplish almost anything. The tougher the problem, the more force you apply. 3 You stand tall and strong so that others can lean

Adult Topaz Dragon

Monsters Fizban's Treasury of Dragons

from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter

Creatures Topaz dragons rarely tolerate any company but their own, and they are usually indifferent at best even toward their own kind. Moreover, their unpredictability means that even if a creature

Young Topaz Dragon

Monsters Fizban's Treasury of Dragons

to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the dragon’s clutches

company but their own, and they are usually indifferent at best even toward their own kind. Moreover, their unpredictability means that even if a creature proves itself useful to a topaz dragon, it

Topaz Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching one treasure hunter who escaped the

dragons rarely tolerate any company but their own, and they are usually indifferent at best even toward their own kind. Moreover, their unpredictability means that even if a creature proves itself

Ancient Topaz Dragon

Monsters Fizban's Treasury of Dragons

injured and stranded far from the sea, but the dragon is too proud to ask for help getting home. 6 A topaz dragon is building a tableau of desiccated creatures and has grown obsessed with catching

. Connected Creatures Topaz dragons rarely tolerate any company but their own, and they are usually indifferent at best even toward their own kind. Moreover, their unpredictability means that

Flaws Legacy

Rules

Your character's flaw represents some vice, compulsion, fear, or weakness—in particular, anything that someone else could exploit to bring you to ruin or cause you to act against your best interests

. More significant than negative personality traits, a flaw might answer any of these questions: What enrages you? What's the one person, concept, or event that you are terrified of? What are your vices?

Goliath Legacy

Species Elemental Evil Player's Companion

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

. Goliaths see females and males as equal in all things, and they find societies with roles divided by gender to be puzzling or worthy of mockery. To a goliath, the person who is best at a job should be

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

. Schwalb, Rodney Thompson, James Wyatt Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Golgari Agent

Backgrounds Guildmasters’ Guide to Ravnica

. 2 I like to remind people of their inevitable demise. 3 Sometimes I give voice to the whispers of the rot, which I hear but no one else does. 4 I do my best to discourage anyone from

the moss-covered building where I took part in my first reclamation mission. 5 I found something in the sewer that must never come to light. 6 I am forever grateful to the reclaimer who

Criminal - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

Guild took over your family business, ran it into the ground, and burned the building for insurance money. You were driven into crime yourself, but you’ll never work for the Guild. You take

attention to the risks in a situation. Never tell me the odds. 7 The best way to get me to do something is to tell me I can’t do it. 8 I blow up at the slightest insult. d6

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Crawford (co-lead), Christopher Perkins (co-lead), James Wyatt (co-lead), Peter Lee, Mike Mearls, Robert J. Schwalb, Rodney Thompson Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Quandt, Morrigan Robbins, Ashley Warren Rules Development: Jeremy Crawford, Dan Dillon, Ben Petrisor, Taymoor Rehman World Building: John Francis Daley, Crystal Frasier, Jonathan Goldstein, Ed

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Foreward

compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

hard part was deciding how exactly to do that. We faced an important decision early on in creating the concept for this campaign. In addition to the original 1985 adventure, there was a sequel released

straightforward. I highly recommend it as one of D&D's earliest and best dungeons. Instead, we decided to consider Elemental Evil as cosmic threat. As creatures of the planes, the elemental princes

Learning by Observing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Learning by Observing One of the best ways to learn how to run a D&D game is to observe other DMs in action. Another DM can give you a solid foundation for understanding the role—as well as inspire

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

Learning by Observing

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Learning by Observing One of the best ways to learn how to run a D&D game is to observe other DMs in action. Another DM can give you a solid foundation for understanding the role—as well as inspire

the DM change the pitch or tempo of narration in different situations? Player Participation. Did the players participate in the world-building or make decisions that seemed to send the adventure in an

A Bard's Muse

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

versatility. Others adopt a more personal approach to their art, driven by their attachment to a muse — a particular concept that inspires much of what those bards do in front of an audience. A bard who

follows a muse generally does so to gain a deeper understanding of what that muse represents and how to best convey that understanding to others through performance. If your bard character has a muse, it

Plan of Attack

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

Plan of Attack This encounter should challenge the adventurers in every way. The characters should be no easy match for the attacking force, such that retreat and escape might be their best option if

. When they finally face off against the adventurers, the attackers fight to kill. If the characters try to stay inside and under cover, the dragons attack whatever building they hide in, setting it

Location and Timing

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

points, spells, and other resources. Such an attack puts the characters at a huge disadvantage, but reinforces that the Cult of the Dragon wants the adventurers dead. A dramatic location works best for

this attack. The cultists not only want to eliminate a threat, they want to send a message to all others who oppose them. Attacking at an important public building such as a major temple or a palace

Plan of Attack

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

their best option if they hope to survive. However, if the characters haven’t made escape plans ahead of time, the attackers will have taken steps to make retreat impossible. The specifics are up to

if they are indoors. When they finally face off against the adventurers, the attackers fight to kill. If the characters try to stay inside and under cover, the dragons attack whatever building they

Starting the Adventure

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

great breath. The fog emanating from within Yeonido encompasses the city, lightly obscuring every street and building, including the interiors. This fog is unnatural, which a character who succeeds

and other travelers are bewildered by the strange weather but do their best to ignore it or joke to hide their insecurity. If asked about the fog, locals say they’ve never seen anything like this. The

Chasing the Children

Compendium - Sources->Dungeons & Dragons->Storm Lord’s Wrath

finished stone building in the town. These children, some of them terrified and missing their parents, others mischievous and too young to understand consequences (much like adventurers), decide to run

or order them to behave. Whichever adventurer does the best job of corralling the children might gain an admirer. This child can be totally smitten or intrigued by the character, following them around

Location and Timing

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

points, spells, and other resources. Such an attack puts the characters at a huge disadvantage, but reinforces that the Cult of the Dragon wants the adventurers dead. A dramatic location works best for

this attack. The cultists not only want to eliminate a threat, they want to send a message to all others who oppose them. Attacking at an important public building such as a major temple or a palace

Satyr

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

chapter 3 for more details on the satyr homeland, the Skola Vale. The Art of the Revel The humans of the poleis generally think of satyrs’ revels as raucous bacchanals, where anything and everything

might happen. This picture isn’t wrong, but it’s incomplete: there’s more to a revel than debauchery. For satyrs, revelry is a way of life. It’s the delight in small things: the song of a bird, a warm

Miner's Exchange

Compendium - Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk

building’s foundation. Standing to one side is Guild Master Halia, her expression tense as she barks orders. Guild Master Halia Thornton leads the building repair efforts. If a character attempts to talk

with Halia, the guild master says tersely that she’ll be happy to talk after she’s certain the building won’t collapse. Hex Sharpe The destruction of the cornerstone weakened the foundation of the

Nagpa

Compendium - Sources->Dungeons & Dragons->Monsters of the Multiverse

creatures known as nagpas and rendered them able to acquire new lore and magical power only from the ruins of fallen civilizations and great calamities. Nagpas still fear the Raven Queen and do their best

another. Typically, nagpas emerge from the shadows only when they can deliver a finishing blow. They then revel in the grand devastation their plotting brought about—looting libraries, plundering

Goblin Legacy

Species Volo's Guide to Monsters

goblin tribe has to nobility is the caste of lashers — families of goblins trained in the ways of battle, and also possessed of key skills such as strategy, trap-building, beast taming, mining

. Hunters. The families of goblins that are skilled in the use of weapons but not privy to any other special knowledge have the second highest status in the tribe. Hunters are often the best wolf riders

Worshiping Iroas

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Glory. Followers of Iroas often push their physical and emotional limits, pursuing victory above all things. Even as priests of Iroas coach their followers to be the best, the most experienced

of glory—a finite amount that they might revel in but that allows them to experience a life beyond grasping for greatness. Those who don’t find themselves upon the path to despair, personal harm, and

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