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Changeling

Species Mordenkainen Presents: Monsters of the Multiverse

, their features almost devoid of detail. It is rare to see a changeling in that form, for a typical changeling changes their shape the way others might change clothes. A casual shape—one created

level, you choose whether your character is a member of the human race or of a fantastical race. If you select a fantastical race, follow these additional rules during character creation. Ability

Folk Hero Legacy

Backgrounds Basic Rules (2014)

you. Suggested Characteristics A folk hero is one of the common people, for better or for worse. Most folk heroes look on their humble origins as a virtue, not a shortcoming, and their

. d6 Flaw 1 The tyrant who rules my land will stop at nothing to see me killed. 2 I’m convinced of the significance of my destiny, and blind to my shortcomings and the risk of

Deep Dragon Wyrmling Legacy

Monsters Fizban's Treasury of Dragons

"} Ideal 1 Understanding. True power comes from the ability to discern other creatures’ motivations better than they can discern yours. (Any) 2 Kindred. All dragons are kin to one

it to the surface world. Lost and confused, the wyrmling has been captured by a group of cruel adventurers. 3 A deep dragon wyrmling whimsically rules over a worshipful group of kobolds, sending

Orcus Legacy

Monsters Out of the Abyss

chapter 7, "Treasure” of the Dungeon Master’s Guide.Orcus’s Lair Orcus makes his lair in the fortress city of Naratyr, which is on Thanatos, the layer of the Abyss that he rules

tampering with the dead in my search to better understand death.” 61–80 “I want to achieve the everlasting existence of undeath.” 81–00 “I am awash in

Yuan-ti Pureblood Legacy

Species Volo's Guide to Monsters

others can be exploited through bribes, favors, or threats. As creatures devoid of emotion, yuan-ti exhibit behavior and use tactics that exemplify that outlook (or lack of one). Whether in combat

odds aren’t in their favor. A short retreat might be just the thing to reach a better tactical position, find allies, or to allow the yuan-ti the opportunity to study their opponents and

Firbolg Legacy

Species Volo's Guide to Monsters

’ presence is marked by an absence of animals and a strange quiet, as if the forest wishes to avoid attracting attention to itself. The faster travelers decide to move on, the better. If these

adopt elven names when they must deal with outsiders, although the concept of names strikes them as strange. They know the animals and plants of the forest without formal names, and instead identify the

Folk Hero - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

; Suggested Characteristics A folk hero is one of the common people, for better or for worse. Most folk heroes look on their humble origins as a virtue, not a shortcoming, and their home communities

1 The tyrant who rules my land will stop at nothing to see me killed. 2 I’m convinced of the significance of my destiny, and blind to my shortcomings and the risk of failure. 3

Inheritor

Backgrounds Sword Coast Adventurer's Guide

with me to pursue my destiny. d6 Flaw 1 The tyrant who rules my land will stop at nothing to see me killed. 2 I’m convinced of the significance of my destiny, and

city, especially hard drink. 5 Secretly, I believe that things would be better if I were a tyrant lording over the land. 6 I have trouble trusting in my allies.

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Goliath Legacy

Species Elemental Evil Player's Companion

mock folk who rely on society’s structures or rules to maintain power. Survival of the Fittest Among goliaths, any adult who can’t contribute to the tribe is expelled. A lone goliath has

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

Approaching the Mine

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

opening appears devoid of life: The entrance to the gem mine is an open tunnel in a hillside. Empty carts are parked near the entrance, next to which a crude wooden sign has been propped up. Written on

like dragon!” “Trex smart! He speaks like human who knows a lot. He don’t speak Dragon no more.” “Trex says miners want their mine back. Trex wants something better in return.” “Trex says we be safer in town. There’s food in town!”

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Morte’s Planar Parade

Credits Project Leads: Justice Ramin Arman, F. Wesley Schneider Art Director: Emi Tanji Writers: Dan Dillon, Ben Petrisor, F. Wesley Schneider Rules Developers: Jeremy Crawford, Ron

Yanner Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max Dunbar, Alex Konstad, Juho Laitila, Izzy Medrano, One Pixel Brush, Noor Rahman

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Erin Roberts, James L. Sutter Rules Developer: Jeremy Crawford Editors: Sydney Adams, Judy Bauer, Janica Carter, Laura Hirsbrunner, Adrian Ng, Jason Tondro Senior Graphic Designer: Trish Yochum

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

Credits

compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

Credits Project Leads: Justice Ramin Arman, F. Wesley Schneider Art Director: Emi Tanji Writers: Justice Ramin Arman, Dan Dillon, F. Wesley Schneider Rules Developers: Christopher Perkins

Wuzyk Cartographer: Jared Blando Poster Map Cartographer: Francesca Baerald Concept Art Directors: Josh Herman, Emi Tanji Concept Artists: Eric Belisle, Dmitry Burmak, Ekaterina Burmak, Max

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

Being the Dungeon Master

Compendium - Sources->Dungeons & Dragons->Heroes of the Borderlands

, making sure the rules serve the group’s fun. Tutorials in each adventure teach you some of those rules, but you’ll want to reference the D&D Beyond Basic Rules to better understand them. Keep It Secret

explore. Then you use a combination of imagination and the game’s rules to determine the results of the adventurers’ decisions. Adjudicate the Rules. You oversee how the group uses the game’s rules

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Player’s Handbook Credits Lead Designer: Jeremy Crawford Designers: Christopher Perkins, Ben Petrisor, F. Wesley Schneider, Ray Winninger, James Wyatt Rules Developers: Jeremy Crawford (lead

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

Game Customization

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

Rules House rules include optional rules, such as those presented in chapter 9 of the Dungeon Master’s Guide, and rules you create. If you plan to use any house rules, session zero is a good time to

discuss those rules with the players and solicit their input. House rules are best presented as experiments, and time will tell if they’re good for your game. If you introduce a house rule in session

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Dungeon Master’s Guide Credits Lead Designers: Christopher Perkins, James Wyatt Designers: Jeremy Crawford, F. Wesley Schneider, Ray Winninger Rules Developers: Jeremy Crawford (lead), Makenzie

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Somerville Rules Developers: Jeremy Crawford (lead), Makenzie De Armas, Ron Lundeen, Ben Petrisor, Patrick Renie Editors: Adrian Ng Di Spaltro (lead), Judy Bauer, Michele Carter, James Wyatt Art

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

Credits

compendium - Sources->Dungeons & Dragons->The Book of Many Things

Credits Project Lead: Jason Tondro Art Director: Bree Heiss Writers: Makenzie De Armas, Dan Dillon, Patrick Renie, Carl Sibley, Jason Tondro, James Wyatt Rules Developers: Jeremy Crawford

, Craig J Spearing, Brian Valeza, Zuzanna Wuzyk, Jim Zaccaria Concept Art Director: Bree Heiss Concept Artist: Claudio Pozas Consultants: Nivair Gabriel, Basheer Ghouse, Jonathan Tomhave Project

Proficiency

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Proficiency Characters and monsters are good at various things. Some are skilled with many weapons, while others can use only a few. Some are better at understanding people’s motives, and others are

better at unlocking the secrets of the multiverse. All creatures have a Proficiency Bonus, which reflects the impact that training has on the creature’s capabilities. A character’s Proficiency Bonus

Gith Tables

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

Zar’ryth Githyanki Personality Traits d4 Trait 1 When I’m bored I make my own excitement, and I’m always bored. 2 I treat others as if they were animals that simply don’t know any better. 3 Violence is

a spice that makes life worth living. 4 Old age is a concept that I find fascinating. Maybe someday I too will be aged. Githyanki Ideals d4 Trait 1 Fidelity. Warriors are only as good as the vows

Kobold Legacy

Species Volo's Guide to Monsters

provoke retaliatory attacks from the creatures they steal from. It’s better to be cautious and overlooked than to be considered dangerous and a threat. In a couple of situations, kobolds might

lack of emotional bonding means they have no concept of marriage or permanent family relationships. Their eggs are placed in a common tribal hatchery with no effort to keep track of who each one

Credits

compendium - Sources->Dungeons & Dragons->Phandelver and Below: The Shattered Obelisk

Credits Project Lead: Amanda Hamon Art Director: Bree Heiss Writers: Richard Baker, Eytan Bernstein, Makenzie De Armas, Amanda Hamon, Ron Lundeen, Christopher Perkins Rules Developers

Valenzuela, Brian Valeza, Nino Vecia, Tyler Walpole, Jabari Weathers Concept Artists: Kent Davis, Richard Luong Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin Yee

Proficiency

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Proficiency Characters and monsters are good at various things. Some are skilled with many weapons, while others can use only a few. Some are better at understanding people’s motives, and others are

better at unlocking the secrets of the multiverse. All creatures have a Proficiency Bonus, which reflects the impact that training has on the creature’s capabilities. A character’s Proficiency Bonus

Running This Chapter

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

Running This Chapter In this chapter, the characters explore the halls of Lavoglia, better known as the Palace of Heart’s Desire. Most likely, they’ve learned of Zybilna’s betrayal at the hands of

’ experience as entertaining as possible: Read the description of Iggwilv’s Cauldron in appendix A. Read this chapter in its entirety, and reacquaint yourself with the “Rules of Conduct” and “Death in

Carnival Owners

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

Carnival Owners The owners of the Witchlight Carnival are a pair of shadar-kai (elves native to the Shadowfell) named Mister Witch and Mister Light. Witch is matter-of-fact and devoid of pretense

. The two carnivals crossed paths many years ago, and after much wine was consumed, the owners could not agree on which carnival was the better of the two, so they decided it would be great fun to swap

Credits

compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Quandt, Morrigan Robbins, Ashley Warren Rules Development: Jeremy Crawford, Dan Dillon, Ben Petrisor, Taymoor Rehman World Building: John Francis Daley, Crystal Frasier, Jonathan Goldstein, Ed

, David Sladek, Craig J Spearing, Brian Valeza, Svetlin Velinov, Richard Whitters, Shawn Wood, Zuzanna Wuzyk Cartographers: Stacey Allan, Will Doyle, Mike Schley Concept Art Director: Shawn Wood

Modifying a Class

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

modify existing classes to better serve your game’s needs. Changing Proficiencies Changing a class’s proficiencies is a safe and simple way to modify a class to better reflect your world. Swapping

, paladins might not swear their oaths to ideals, but instead swear fealty to powerful sorcerers. To capture this story concept, you could build a new paladin spell list with spells meant to protect

The Dungeon Master

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

issues as they come up. When in doubt, make it up! It’s better to keep the game moving than to get bogged down in the rules. It’s not a competition. The DM isn’t competing against the player

The Dungeon Master The Dungeon Master (DM) has a special role in the Dungeons & Dragons game. The DM is a referee. When it’s not clear what ought to happen next, the DM decides how to apply the rules

Credits

compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

, Adam Lee, Taymoor Rehman, Morrigan Robbins Rules Development: Jeremy Crawford, Ben Petrisor, Taymoor Rehman Editing: Judy Bauer, Kim Mohan, Hannah Rose Graphic Designer: Trish Yochum Story

, Cory Trego-Erdner, Brian Valeza, Anna Veltkamp, Magali Villeneuve, Richard Whitters, Mark Winters, Shawn Wood, Zuzanna Wuzyk, Kieran Yanner, Trish Yochum Concept Art Director: Shawn Wood Concept

It's Just Business

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

. What better way to think of the big bad monster at the center of a web of even bigger and badder plans than as the CEO of a megacorporation, using every resource to dominate the market? What is an

-reaching power of global corporations allied with political power doesn’t just inform our own real world — it molds it. Bringing that concept of powerful corporations working with or against nobility to

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