beyond bards diffusing cosmos real

Nolzur's Marvelous Pigments

Magic Items Dungeon Master’s Guide

whatever is beyond. Painting a pit creates a real pit, the entire depth of which must lie within the 20-foot Cube. No object created by a pot of pigment can have a value greater than 25 GP, and the

vanish, and the pot of pigment is wasted. When the work is done, all the painted objects and terrain features become real. Thus, painting a door on a wall creates an actual door, which can be opened to

Marvelous Pigments Legacy

Magic Items Basic Rules (2014)

, the object or terrain feature depicted becomes a real, nonmagical object. Thus, painting a door on a wall creates an actual door that can be opened to whatever is beyond. Painting a pit on a floor

creates a real pit, and its depth counts against the total area of objects you create. Nothing created by the pigments can have a value greater than 25 gp. If you paint an object of greater value (such as

Pyramid Melon

Equipment

Combat Utility Whimsy 2 2 2 Some druids claim that the pyramid melon gets its shape from the forces that form the cosmos, and to contemplate the melon will reveal secrets

beyond space and time. Most children, however, simply enjoy the tart fruit and make a game of spitting the seeds.

College of Dance

classes Player’s Handbook

Move in Harmony with the Cosmos Bards of the College of Dance know that the Words of Creation can’t be contained within speech or song; the words are uttered by the movements of celestial

bodies and flow through the motions of the smallest creatures. These Bards practice a way of being in harmony with the whirling cosmos that emphasizes agility, speed, and grace.

Nolzur's Marvelous Pigments Legacy

Magic Items Dungeon Master’s Guide (2014)

, the object or terrain feature depicted becomes a real, nonmagical object. Thus, painting a door on a wall creates an actual door that can be opened to whatever is beyond. Painting a pit on a floor

creates a real pit, and its depth counts against the total area of objects you create. Nothing created by the pigments can have a value greater than 25 gp. If you paint an object of greater value (such as

Dream Eater

Monsters Monstrous Compendium Vol. 2: Dragonlance Creatures

dream eater lies not in brute force but in the ability to pierce its illusions and wrest others from its terrors. As such, bards and other persuasive adventurers find themselves uniquely poised to

) check to convince the engulfed target the nightmare isn’t real, with the target escaping on a success. The creature making the check takes 10 (3d6);{"diceNotation":"3d6", "rollType":"damage

College of Creation

classes Tasha’s Cauldron of Everything

Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That creative work included harmonies that continue to resound through existence today, a power known as

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

College of Creation (TCoE)

classes Tasha’s Cauldron of Everything

Bards believe the cosmos is a work of art—the creation of the first dragons and gods. That creative work included harmonies that continue to resound through existence today, a power known as

the Song of Creation. The bards of the College of Creation draw on that primeval song through dance, music, and poetry, and their teachers share this lesson: “Before the sun and the moon, there

Boss Delour

Monsters The Book of Many Things

him dangerous. He can smile and shake someone’s hand while simultaneously plotting to ruin that person. Expanding the guild’s activities beyond thievery was Delour’s idea. He

more complex challenges the guild can take on as it grows in power. His only real fear is exposure; the bigger and more active the Moonstalkers become, the more likely they are to attract the attention

Goose Mother

Monsters Monstrous Compendium Vol. 4: Eldraine Creatures

turn, unless it has taken poison damage since its last turn. The Goose Mother regains 10 hit points for each head when it regrows. Reactive Heads. For each head the Goose Mother has beyond one, it gets

Goose Mother is real. Centuries ago, an enterprising witch created a frothy stew composed of hydra’s blood and goose feathers. It is from this noxious slurry that the Goose Mother was born. Within

Bard

classes Basic Rules (2014)

still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer

of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation

Hermit - Baldur's Gate

Backgrounds Baldur’s Gate: Descent into Avernus

hermitage gave you access to a unique and powerful discovery. The exact nature of this revelation depends on the nature of your seclusion. It might be a great truth about the cosmos, the deities, the

determine the details of your discovery and its impact on the campaign. Buldur’s Gate Feature: The Real City You know the Baldur’s Gate most Baldurians ignore, the dog-eat-dog world of the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Music and Magic

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of

bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers. The greatest strength of bards is their sheer versatility. Many bards prefer to stick to the

Young Sapphire Dragon

Monsters Fizban's Treasury of Dragons

or wars and won’t rest until my hoard contains that conflict’s most significant artifacts. 2 I am constantly aware of a call from beyond this world. I must prepare to answer that call

not guarantee victory. Planning and tactics do. (Lawful) 6 Companionship. Sure, my hoard brings me great joy. But the real treasures are the guests who stop by to see it. (Good

Sapphire Dragon Wyrmling

Monsters Fizban's Treasury of Dragons

call from beyond this world. I must prepare to answer that call by amassing powerful arms and armor. 3 I secretly look forward to adventurers trying to infiltrate my lair. How else could I try

unhappy. (Lawful) 5 Preparation. Justice and righteousness do not guarantee victory. Planning and tactics do. (Lawful) 6 Companionship. Sure, my hoard brings me great joy. But the real

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Learning from Experience

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Learning from Experience True bards are not common in the world. Not every minstrel singing in a tavern or jester cavorting in a royal court is a bard. Discovering the magic hidden in music requires

hard study and some measure of natural talent that most troubadours and jongleurs lack. It can be hard to spot the difference between these performers and true bards, though. A bard’s life is spent

Transitive Planes

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

this glimmering vastness, while others navigate the magical cosmos in spelljamming vessels. Ethereal Plane. This ghostly realm connects the Material Plane and the Inner Planes. The region where the

Ethereal Plane overlaps with other planes is called the Border Ethereal, a place where creatures can glimpse visions of planes beyond.

Transitive Planes

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

this glimmering vastness, while others navigate the magical cosmos in spelljamming vessels. Ethereal Plane. This ghostly realm connects the Material Plane and the Inner Planes. The region where the

Ethereal Plane overlaps with other planes is called the Border Ethereal, a place where creatures can glimpse visions of planes beyond.

Transitive Planes

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

this glimmering vastness, while others navigate the magical cosmos in spelljamming vessels. Ethereal Plane. This ghostly realm connects the Material Plane and the Inner Planes. The region where the

Ethereal Plane overlaps with other planes is called the Border Ethereal, a place where creatures can glimpse visions of planes beyond.

Ancient Sapphire Dragon

Monsters Fizban's Treasury of Dragons

hoard contains that conflict’s most significant artifacts. 2 I am constantly aware of a call from beyond this world. I must prepare to answer that call by amassing powerful arms and armor

tactics do. (Lawful) 6 Companionship. Sure, my hoard brings me great joy. But the real treasures are the guests who stop by to see it. (Good) Sapphire Dragon Adventures The Sapphire

Chapter 4: Escape From the Past

Compendium - Sources->Dungeons & Dragons->Netheril’s Fall: Tales of Terror, Treasure, and Time Travel

Chapter 4: Escape From the Past Chapter 4 Escape From the Past SAMUEL PERIN The cosmos-shaking magic of Karsus’s Folly drives a caldron magen into a violent frenzy Experimentation with temporal

period in the Forgotten Realms or beyond into ancient Netheril, where they can adventure before discovering a way back home.

Chapter 4: Escape From the Past

Compendium - Sources->Dungeons & Dragons->Netheril’s Fall: Tales of Terror, Treasure, and Time Travel

Chapter 4: Escape From the Past Chapter 4 Escape From the Past SAMUEL PERIN The cosmos-shaking magic of Karsus’s Folly drives a caldron magen into a violent frenzy Experimentation with temporal

period in the Forgotten Realms or beyond into ancient Netheril, where they can adventure before discovering a way back home.

Chapter 4: Escape From the Past

Compendium - Sources->Dungeons & Dragons->Netheril’s Fall: Tales of Terror, Treasure, and Time Travel

Chapter 4: Escape From the Past Chapter 4 Escape From the Past SAMUEL PERIN The cosmos-shaking magic of Karsus’s Folly drives a caldron magen into a violent frenzy Experimentation with temporal

period in the Forgotten Realms or beyond into ancient Netheril, where they can adventure before discovering a way back home.

Realms of Gods and Mortals

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

Realms of Gods and Mortals What is the farthest explored point on the known world?” Elspeth asked. “In the east, beyond the leonin lands, there’s another forest,” Daxos told her. “Larger even than

the Nessian Forest. No one knows how far it goes.” “What’s to the west beyond the sea?” Elspeth asked. “The world ends at the waterfall where Kruphix’s Tree grows,” he explained. “The sea falls

Appendix D: The Planes of Existence

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Appendix D: The Planes of Existence The cosmos teems with a multitude of worlds as well as myriad alternate dimensions of reality, called the planes of existence. It encompasses every world where DMs

run their adventures, all within the relatively mundane realm of the Material Plane. Beyond that plane are domains of raw elemental matter and energy, realms of pure thought and ethos, the homes of

D&D Beyond

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