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Dhergoloth

Monsters Mordenkainen Presents: Monsters of the Multiverse

brutes, employers must use caution when instructing them. They can handle simple orders that don’t take a lot of time to resolve. When given anything complex to do, however, they either forget what

Mordenkainen's Magnificent Mansion Legacy

Spells Player’s Handbook (2014)

closed, the portal is invisible. Beyond the portal is a magnificent foyer with numerous chambers beyond. The atmosphere is clean, fresh, and warm. You can create any floor plan you like, but the

people. A staff of 100 near-transparent servants attends all who enter. You decide the visual appearance of these servants and their attire. They are completely obedient to your orders. Each servant can

Magnificent Mansion Legacy

Spells Basic Rules (2014)

closed, the portal is invisible. Beyond the portal is a magnificent foyer with numerous chambers beyond. The atmosphere is clean, fresh, and warm. You can create any floor plan you like, but the

people. A staff of 100 near-transparent servants attends all who enter. You decide the visual appearance of these servants and their attire. They are completely obedient to your orders. Each servant can

Private Sanctum Legacy

Spells Basic Rules (2014)

dismiss it. When you cast the spell, you decide what sort of security the spell provides, choosing any or all of the following properties: Sound can't pass through the barrier at the edge of the

increase the size of the cube by 100 feet for each slot level beyond 4th. Thus you could protect a cube that can be up to 200 feet on one side by using a spell slot of 5th level.

Mordenkainen's Private Sanctum Legacy

Spells Player’s Handbook (2014)

dismiss it. When you cast the spell, you decide what sort of security the spell provides, choosing any or all of the following properties: Sound can't pass through the barrier at the edge of the

increase the size of the cube by 100 feet for each slot level beyond 4th. Thus you could protect a cube that can be up to 200 feet on one side by using a spell slot of 5th level.

Animate Objects Legacy

Spells Basic Rules (2014)

the same time, issuing the same command to each one). You decide what action the creature will take and where it will move during its next turn, or you can issue a general command, such as to guard a

speed is 0. It has blindsight with a radius of 30 feet and is blind beyond that distance. When the animated object drops to 0 hit points, it reverts to its original object form, and any remaining

Elf Legacy

Species Basic Rules (2014)

“I have never imagined such beauty existed,” Goldmoon said softly. The day’s march had been difficult, but the reward at the end was beyond their dreams. The companions stood on a

insults with vengeance. Like the branches of a young tree, elves are flexible in the face of danger. They trust in diplomacy and compromise to resolve differences before they escalate to violence. They

Half-Orc Legacy

Species Basic Rules (2014)

exult along with him or shiver with fear and loathing. Beyond the rage of Gruumsh, half-orcs feel emotion powerfully. Rage doesn’t just quicken their pulse, it makes their bodies burn. An insult

name for a human name. Some half-orcs with human names decide to adopt a guttural orc name because they think it makes them more intimidating. Male Orc Names: Dench, Feng, Gell, Henk, Holg, Imsh, Keth

Firbolg Legacy

Species Volo's Guide to Monsters

’ presence is marked by an absence of animals and a strange quiet, as if the forest wishes to avoid attracting attention to itself. The faster travelers decide to move on, the better. If these

world. A few rare firbolgs are entrusted by their clan with an important mission that takes them beyond their homes. These firbolgs feel like pilgrims in a strange land, and usually they wish only to

Giff

Species Spelljammer: Adventures in Space

blossom into hard feelings, loud arguments, and head-butting contests, but they rarely escalate beyond that. Creating Your Character When you create your D&D character, you decide whether your

scores to increase. You’re free to follow those suggestions or to ignore them. Whichever scores you decide to increase, none of the scores can be raised above 20. Languages Your character can

Rakdos Cultist

Backgrounds Guildmasters’ Guide to Ravnica

even if I wanted to. 3 I throw caution to the wind. 4 I resent the rich and powerful. 5 When I’m angry, I lash out in violence. 6 There’s no such thing as too much

Orzhov oligarch has taken an interest in my career, like a patron of the arts. 8 Roll an additional Rakdos contact; you can decide if the contact is an ally or a rival. 9 A Selesnya healer

Attack Rolls

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Attack Rolls In combat, an attack roll is used to determine whether an attack hits. You can also use attack rolls to resolve noncombat activities that are similar to attacks in combat, such as an

archery contest or a game of darts. Assign an Armor Class to the target, decide whether the character is proficient with the weapon used, then have the player make an attack roll. (See also “Degrees of Success” in this chapter.)

Chapter 2: Rumblings

Compendium - Sources->Dungeons & Dragons->Storm King's Thunder

Chapter 2: Rumblings A settlement in the north comes under giant attack. You decide which location to use: the walled town of Bryn Shander in the cold heart of Icewind Dale; Goldenfields, a

with quests that lead them deeper into the adventure. Be warned: these encounters are designed to test the party’s leadership and tactical skills, and characters who don’t exercise some degree of caution will likely perish.

Selesnya Initiate

Backgrounds Guildmasters’ Guide to Ravnica

always straining to peer into another reality that seems to be just beyond my senses. 5 I’m uneasy if I can’t see plants growing or feel soil beneath my feet. 6 Seeing illness

Selesnya contact; you can decide if the contact is an ally or a rival. 10 I have a sibling in the Simic Combine, and we argue every time we see each other.

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

Top Card: The Challenge

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

road, or a situation the characters are asked to resolve. You decide the scope of the decision the characters must make. You can ask them to make a simple choice (“Do you want to take the path along

ability checks (though another character can help, at your discretion). Whatever choice or challenge you decide the top card represents, the characters’ success or failure while dealing with that situation determines how you read the bottom card.

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Interacting with Objects

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Interacting with Objects A character's interaction with objects in an environment is often simple to resolve in the game. The player tells the DM that his or her character is doing something, such as

moving a lever, and the DM describes what, if anything, happens. For example, a character might decide to pull a lever, which might, in turn, raise a portcullis, cause a room to flood with water, or

Paladin Legacy

Classes Basic Rules (2014)

undead, and to protect the innocent and those who join them in the fight for justice. Beyond the Mundane Life Almost by definition, the life of a paladin is an adventuring life. Unless a lasting injury

while you were at prayer? Did another paladin sense the potential within you and decide to train you as a squire? Or did some terrible event—the destruction of your home, perhaps—drive you to

Dhergoloth

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes

than dumb brutes, employers must use caution when instructing these fiends. They can handle simple orders that don’t take a lot of time to resolve. When given anything complex to do, they either

Dhergoloth

Compendium - Sources->Dungeons & Dragons->Monsters of the Multiverse

dhergoloths are little more than brutes, employers must use caution when instructing them. They can handle simple orders that don’t take a lot of time to resolve. When given anything complex to do, however

Roleplaying Ivan

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Roleplaying Ivan Ivan demands to be the center of attention while remaining deeply suspicious of the world beyond Degravo. With his family gone, he coaxes guests to his home to indulge in a perverse

pleasure.” Ideal. “I never want to be bored or alone again.” Bond. “My possessions are mine to do with as I please. I decide their fate.” Flaw. “I break whatever bores me. At least a broken toy is unique.”

The Gates

Compendium - Sources->Dungeons & Dragons->Baldur’s Gate Gazetteer

the wider world beyond. Baldurians, particularly if they do not wish to reveal a crew or family affiliation to a potentially hostile audience, often describe themselves by the nearest gate to their

other districts. More than one Lower City merchant visiting an Upper City restaurant or theater near sundown has been embarrassed by a Watch member’s loud, public caution that the gates are about to

Cathedral Assault

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

path. As the DM, you can decide where the characters encounter each of these groups. These encounters are meant to be run separately, although running two encounters back-to-back with no chance for the

move through the cathedral. The spined devil roars at them as it uses its telepathy to order them to focus. This lack of caution and discipline makes ambushing or sneaking up on the group easy

Actions in Exploration

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

in action.) In such situations, have the characters take turns, though it’s usually not necessary to roll Initiative as you would in a combat encounter. Resolve one character’s actions before moving

something during exploration, you decide whether that action requires an ability check to determine success (as described in the earlier “Resolving Outcomes” section). Certain situations might call

The Gates

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

the wider world beyond. Baldurians, particularly if they do not wish to reveal a crew or family affiliation to a potentially hostile audience, often describe themselves by the nearest gate to their

other districts. More than one Lower City merchant visiting an Upper City restaurant or theater near sundown has been embarrassed by a Watch member’s loud, public caution that the gates are about to

Dragonmarked Houses

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Khorvaire and beyond. Those interests often bring them into conflict with local rulers and national governments. Unified Galifar had the strength and influence to impose its will on the collected

seeks to mediate disputes and encourage cooperation between the houses. Adventurers could be caught up in the rivalries and schemes of the houses, or they could work with the Twelve in an effort to resolve these feuds.

Improvising Ability Checks

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

things that the adventure can’t possibly anticipate. It’s up to you to decide whether their attempts are successful. If it seems like anyone should have an easy time doing it, don’t ask for an ability

ability check? How hard is it? What’s the result? Use the descriptions of the ability scores and their associated skills in the Basic Rules to help you decide what kind of ability check to use. Then

Introduction

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

abandoned guardhouses. Beyond these, a wide chasm gapes, disappearing into the deep fog below. A lowered drawbridge spans the chasm, leading to an arched entrance to the castle courtyard. The chains of

portcullis, green with growth, hangs in the entry tunnel. Beyond this, the main doors of Castle Ravenloft stand open, a rich warm light spilling into the courtyard. Phillip (playing Gareth): I want

Character Advancement

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Character Advancement Ideally, the characters are 9th level when they first arrive at Ythryn. You decide how quickly they advance in level. Treat the following as suggestions: The characters gain a

above, the characters could be as high as 12th level by the adventure’s conclusion—an important consideration if you intend to continue the campaign beyond this adventure.

10. Staging Area

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

leader of the guards is a wryly cynical svirfneblin named Sark Axebarrel, who warns the characters of reports of a medusa lurking in the caverns beyond the doors, in a section of the old city that the

gnome refers to as Rockblight. If they decide to explore Rockblight, Sark asks them to find out whatever they can about the medusa and kill her if they are able. He offers a payment of 50 gp per

Introduction

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

abandoned guardhouses. Beyond these, a wide chasm gapes, disappearing into the deep fog below. A lowered drawbridge spans the chasm, leading to an arched entrance to the castle courtyard. The chains of

portcullis, green with growth, hangs in the entry tunnel. Beyond this, the main doors of Castle Ravenloft stand open, a rich warm light spilling into the courtyard. Phillip (playing Gareth): I want

Doors

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Doors Whenever a table roll indicates a door, roll on the Door Type table to determine its nature, then roll on the Beyond a Door table to see what lies on the other side of it. If a door is barred

, you decide which side of the door the bar is on. Unlocked doors can also be stuck, at your discretion. See chapter 5, "Adventure Environments" for information on doors and portcullises. Door Type

Sex

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

character’s sexual orientation is for you to decide. Height and Weight Race Base Height Height Modifier Base Weight Weight Modifier Human 4'8" +2d10 110 lb. × (2d4) lb. Dwarf, hill 3'8" +2d4

115 lb. × (2d6) lb. Dwarf, mountain 4' +2d4 130 lb. × (2d6) lb. Elf, high 4'6" +2d10 90 lb. × (1d4) lb. Elf, wood 4'6" +2d10 100 lb. × (1d4) lb. Halfling 2'7" +2d4 35 lb. × 1 lb. You can decide your

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