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High Fae Kindguard

Monsters Monstrous Compendium Vol. 4: Eldraine Creatures

branch to seal the promise. “The Kindly Lord does not issue invitations to their court lightly. I suggest you accept.” —Gwyddion, messenger of Talion High Fae Ageless and

operate under inviolable rules of their own: gifts must always be repaid, promises must be honored, and outright lies must never be spoken (though misdirection and riddles are always welcome). To

Hadozee

Species Spelljammer: Adventures in Space

Hadozees’ progenitors were mammals no bigger than house cats. Hunted by larger natural predators, they took to the trees and evolved wing-like flaps that enabled them to glide from branch to

branch. Today, hadozees are sapient, bipedal beings eager to leave behind the fearsome predators of their home world and explore other worlds. In addition to being natural climbers, hadozees have feet

Aarakocra

Species Mordenkainen Presents: Monsters of the Multiverse

birdfolk. Only when they roost on a branch or walk across the ground is their Humanoid nature clear. Standing upright, aarakocra are typically about 5 feet tall, and they have long, narrow legs that

At 1st level, you choose whether your character is a member of the human race or of a fantastical race. If you select a fantastical race, follow these additional rules during character creation

Tiefling Legacy

Species Basic Rules (2014)

is the burden of every tiefling. Some break under it, some make it the millstone around their neck, some revel in it.” He tilted his head again, scrutinizing her, with that wicked glint in his

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Feral Tiefling

Species Sword Coast Adventurer's Guide

is the burden of every tiefling. Some break under it, some make it the millstone around their neck, some revel in it.” He tilted his head again, scrutinizing her, with that wicked glint in his

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Goliath Legacy

Species Elemental Evil Player's Companion

mock folk who rely on society’s structures or rules to maintain power. Survival of the Fittest Among goliaths, any adult who can’t contribute to the tribe is expelled. A lone goliath has

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Origin of the Ordning

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

they proved themselves incapable of governing the world. The ordning might be necessary, or a burden giants are expected to bear, but giants who hold these views often look forward to Annam abolishing

the ordning in some mythic future. Giants on some worlds (including Eberron) have no concept of the ordning at all. Such giants might think of themselves as a single species, with the differences

Origin of the Ordning

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

they proved themselves incapable of governing the world. The ordning might be necessary, or a burden giants are expected to bear, but giants who hold these views often look forward to Annam abolishing

the ordning in some mythic future. Giants on some worlds (including Eberron) have no concept of the ordning at all. Such giants might think of themselves as a single species, with the differences

Origin of the Ordning

Compendium - Sources->Dungeons & Dragons->Bigby Presents: Glory of the Giants

they proved themselves incapable of governing the world. The ordning might be necessary, or a burden giants are expected to bear, but giants who hold these views often look forward to Annam abolishing

the ordning in some mythic future. Giants on some worlds (including Eberron) have no concept of the ordning at all. Such giants might think of themselves as a single species, with the differences

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

12. Dwarven Tools

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

Embedded in the wall at the end of the westward hallway is an arch gate (see “Gates”). Close inspection reveals the image of a dead tree carved into its keystone. The rules of this gate are as follows

: Touching the arch with a dead twig or branch causes the gate to open for 1 minute. Characters must be 8th level or higher to pass through this gate (see “Jhesiyra Kestellharp”). The first creature to

12. Dwarven Tools

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

Embedded in the wall at the end of the westward hallway is an arch gate (see “Gates”). Close inspection reveals the image of a dead tree carved into its keystone. The rules of this gate are as follows

: Touching the arch with a dead twig or branch causes the gate to open for 1 minute. Characters must be 8th level or higher to pass through this gate (see “Jhesiyra Kestellharp”). The first creature to

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

12. Dwarven Tools

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

Embedded in the wall at the end of the westward hallway is an arch gate (see “Gates”). Close inspection reveals the image of a dead tree carved into its keystone. The rules of this gate are as follows

: Touching the arch with a dead twig or branch causes the gate to open for 1 minute. Characters must be 8th level or higher to pass through this gate (see “Jhesiyra Kestellharp”). The first creature to

Player's Handbook Credits