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Nolzur's Marvelous Pigments

Magic Items Dungeon Master’s Guide

vanish, and the pot of pigment is wasted. When the work is done, all the painted objects and terrain features become real. Thus, painting a door on a wall creates an actual door, which can be opened to

whatever is beyond. Painting a pit creates a real pit, the entire depth of which must lie within the 20-foot Cube. No object created by a pot of pigment can have a value greater than 25 GP, and the

Symbol

Spells Player’s Handbook

You inscribe a harmful glyph either on a surface (such as a section of floor or wall) or within an object that can be closed (such as a book or chest). The glyph can cover an area no larger than 10

surface, common triggers include touching or stepping on the glyph, removing another object covering it, or approaching within a certain distance of it. For glyphs inscribed within an object, common

Blue Abishai

Monsters Mordenkainen Presents: Monsters of the Multiverse

, wall of forceSeekers of forgotten lore and lost relics, blue abishais are the most cunning and learned of their kind. Their research into occult subjects gleaned from tomes plundered from across the

;s. There is inherent risk in countermanding an order given by Tiamat, but interfering with Asmodeus’s plans invites certain destruction.Fire, Lightning, PoisonCold; Bludgeoning, Piercing, and

Bael

Monsters Mordenkainen Presents: Monsters of the Multiverse

, invisibility, major image 3/day each: dispel magic, fly, suggestion, wall of fire 1/day: dominate monster Teleport. Bael teleports, along with any equipment he is wearing or carrying, up to 120 feet

following of cultists. Those who worship at his altar call him the King of Hell, and the most deluded believe that he is the lord of all devils. In arcane circles, certain writings, such as the dreaded Book

Ancient Sapphire Dragon

Monsters Fizban's Treasury of Dragons

tactics do. (Lawful) 6 Companionship. Sure, my hoard brings me great joy. But the real treasures are the guests who stop by to see it. (Good) Sapphire Dragon Adventures The Sapphire

dragon can shape the stone to open or close a passage through a wall, as long as the wall is less than 10 feet thick. Regional Effects The region surrounding a legendary sapphire dragon’s lair

Belashyrra

Monsters Eberron: Rising from the Last War

“I perceive certain types of people — vocations or entire societies — as hideous monsters.” 3 “Someone is watching everything I do.” 4 “When I

close my eyes, I see my past misdeeds.” 5 “I don’t trust my sight. I have no idea what’s real and what’s a hallucination.” 6 “Something watches the world through my eyes. To thwart them, I keep my eyes closed or covered.” Poison, Psychic

Adult Sapphire Dragon

Monsters Fizban's Treasury of Dragons

, my hoard brings me great joy. But the real treasures are the guests who stop by to see it. (Good) Sapphire Dragon Adventures The Sapphire Dragon Adventure Hooks table offers suggestions for

through a wall, as long as the wall is less than 10 feet thick. Regional Effects The region surrounding a legendary sapphire dragon’s lair is altered by the dragon’s magic, creating one

Adult Crystal Dragon

Monsters Fizban's Treasury of Dragons

are the most common materials they use in the construction of a lair, crystal and other precious minerals feature prominently in certain areas. In this way, crystal dragons’ hoards literally

Passage. The dragon can open a passage through a wall of ice or snow that is up to 5 feet thick, creating an opening up to 30 feet wide and high. Starlight’s Gleam. The dragon chooses a point it

Ancient Crystal Dragon

Monsters Fizban's Treasury of Dragons

certain areas. In this way, crystal dragons’ hoards literally become the fabric of their homes. Crystal Dragon Lair Features The crystal dragon lair shown in map 5.7 is the home of a dragon who

dragon issues that isn’t directly harmful to the creature. Ice Passage. The dragon can open a passage through a wall of ice or snow that is up to 5 feet thick, creating an opening up to 30 feet

Marvelous Pigments Legacy

Magic Items Basic Rules (2014)

, the object or terrain feature depicted becomes a real, nonmagical object. Thus, painting a door on a wall creates an actual door that can be opened to whatever is beyond. Painting a pit on a floor

creates a real pit, and its depth counts against the total area of objects you create. Nothing created by the pigments can have a value greater than 25 gp. If you paint an object of greater value (such as

Nolzur's Marvelous Pigments Legacy

Magic Items Dungeon Master’s Guide (2014)

, the object or terrain feature depicted becomes a real, nonmagical object. Thus, painting a door on a wall creates an actual door that can be opened to whatever is beyond. Painting a pit on a floor

creates a real pit, and its depth counts against the total area of objects you create. Nothing created by the pigments can have a value greater than 25 gp. If you paint an object of greater value (such as

Cube of Force Legacy

Magic Items Basic Rules (2014)

or comes into contact with certain spell or magic item effects, as shown in the table below. Spell or item Charges Lost Disintegrate 1d12 Horn of blasting 1d10 Passwall 1d6 Prismatic spray 1d20 Wall of fire 1d4

the barrier. Walls, floors, and ceilings can pass through at your discretion. 6 0 The barrier deactivates. The cube loses charges when the barrier is targeted by certain spells

Glyph of Warding Legacy

Spells Basic Rules (2014)

When you cast this spell, you inscribe a glyph that later unleashes a magical effect. You inscribe it either on a surface (such as a table or a section of floor or wall) or within an object that can

another object covering the glyph, approaching within a certain distance of the glyph, or manipulating the object on which the glyph is inscribed. For glyphs inscribed within an object, the most common

Symbol Legacy

Spells Basic Rules (2014)

When you cast this spell, you inscribe a harmful glyph either on a surface (such as a section of floor, a wall, or a table) or within an object that can be closed to conceal the glyph (such as a book

stepping on the glyph, removing another object covering it, approaching within a certain distance of it, or manipulating the object that holds it. For glyphs inscribed within an object, the most

Temporary Hit Points

Compendium - Sources->Dungeons & Dragons->Player’s Handbook

Temporary Hit Points Temporary Hit Points are granted by certain effects and act as a buffer against losing real Hit Points. See also chapter 1 (“Damage and Healing”).

Temporary Hit Points

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Temporary Hit Points Temporary Hit Points are granted by certain effects and act as a buffer against losing real Hit Points. See also “Playing the Game” (“Damage and Healing”).

20. Wall of Gemstones

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

20. Wall of Gemstones Carved into the northeast wall is a fresco that depicts dwarves tossing gems into the mouth of a giant xorn. Treasure The gemstones in the fresco are real and can be pried from

the wall with a knife or similar tool. Six banded agates (10 gp each), nine moss agates (10 gp each), four carnelians (50 gp each), three citrines (50 gp each), and an amethyst (100 gp) can be acquired.

Verdan

Species Acquisitions Incorporated

, the verdan found that they were often mistaken for smaller, green-skinned half-elves. Attracting curiosity but no real questions, they have thus been able to make their way reasonably freely in the

When a verdan character gains an ability score improvement at certain levels, that increase can be tied to a physical mutation at the player’s determination. A boost to Strength might be

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

ability, enlarge/reduce 3rd gaseous form, water breathing, wind wall 4th freedom of movement, polymorph 5th creation When your magic causes physical

spellcasting, forming spirals that reflect the mathematical perfection of nature. Suggested Characteristics The bizarre science of the Simic Combine attracts a certain type of personality and encompasses

General Features

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

Skant If the characters have Professor Skant with them, the professor orb can provide educational commentary on certain features found in the Caves of Hunger, as noted in the text, provided the orb

is in a position where it can view its surroundings. Psychic Hauntings The Caves of Hunger have a way of capturing and holding on to psychic trauma. In certain locations, the text will ask you to check

Marvelous Pigments

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

feet. When you complete the painting, the object or terrain feature depicted becomes a real, nonmagical object. Thus, painting a door on a wall creates an actual door that can be opened to whatever is

beyond. Painting a pit on a floor creates a real pit, and its depth counts against the total area of objects you create. Nothing created by the pigments can have a value greater than 25 gp. If you

K43. Bath Chamber

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

K43. Bath Chamber Red satin curtains hang in archways at both ends of the south wall in this dark room. Between them, in the center of the chamber, stands a large, ornate iron tub with clawed feet

him the chance to turn her into a vampire spawn. The blood in the tub isn’t real, but rather a manifestation of Varushka’s tormented spirit. If the blood is disturbed in any way, read: A blood

Nolzur's Marvelous Pigments

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

wall creates an actual door, which can be opened to whatever is beyond. Painting a pit creates a real pit, the entire depth of which must lie within the 20-foot Cube. No object created by a pot of

before the work is done, all the painted elements vanish, and the pot of pigment is wasted. When the work is done, all the painted objects and terrain features become real. Thus, painting a door on a

Y5. Wall of Fog

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

Y5. Wall of Fog Yester Hill gets its name from a strange phenomenon that can be observed by anyone who looks into the mists from the hilltop or the western hillside: As you look west into the curtain

be real. The image tantalizes him. Any creature that enters the deadly fog is subject to its effects (see the “Mists of Ravenloft” section in chapter 2). If the characters ask an NPC spellcaster about

Details

Compendium - Sources->Dungeons & Dragons->Curse of Strahd

Details In a horror story, there’s no telling where danger might be lurking. A leering gargoyle might be a monster in disguise, or merely a fiendish sculpture. A mirror hanging on a wall might have

it, and might distract from the real danger. Here are a couple of tricks you can use: In a given encounter area, choose one object or feature to describe in some detail. It need not be important to

32. Secret Door

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a7

32. Secret Door The portal to the south can’t be detected by any magical means, but a successful DC 15 Wisdom (Perception) check enables a character to notice that the wall at this location has a

inserted in the hole and then removed, the door will sink into the floor, revealing itself to be a stone-sheathed adamantine slab of tremendous thickness. There can be no real doubt that the end of the adventure—one way or another—is near.

The Maze

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

The Maze The hedge maze surrounding the central tower is an astounding work of magical construction. In certain regards, it’s even more impressive than the tower because of the powerful ways it

are quick to point out this anomaly, to prove to the characters that the maze is nothing to take lightly. The view from above reveals the maze as it exists in the real world. The view up the path from

The Maze

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

The Maze The hedge maze surrounding the central tower is an astounding work of magical construction. In certain regards, it’s even more impressive than the tower because of the powerful ways it

quick to point out this anomaly, to prove to the characters that the maze is nothing to take lightly. The view from above reveals the maze as it exists in the real world. The view up the path from

Type

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

world. Beasts. Nonhumanoid creatures that, like real-world animals, are a normal part of the world’s ecology. Dragons. Large, winged, reptilian creatures of ancient origin and tremendous power

. For example, an orc has the humanoid (orc) type. These parenthetical tags provide an additional layer of categorization for certain monsters, but they have no bearing on how a monster is used in combat.

16. Arch Gate to Level 15

Compendium - Sources->Dungeons & Dragons->Waterdeep: Dungeon of the Mad Mage

16. Arch Gate to Level 15 Ceiling. This chamber soars to a height of 30 feet. Arch. A stone arch set into the south wall is decorated with gold-inlaid images of dragons in flight. Carved into the

wall above the arch are the following words in Draconic: “Only a dragon can unlock this gate.” Fountains. Alcoves to the west and east contain stone fountains, each carved to look like a perched

Nolzur's Marvelous Pigments

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

on a wall creates an actual door, which can be opened to whatever is beyond. Painting a pit creates a real pit, the entire depth of which must lie within the 20-foot Cube. No object created by a

Cube before the work is done, all the painted elements vanish, and the pot of pigment is wasted. When the work is done, all the painted objects and terrain features become real. Thus, painting a door

Classroom Gossip

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

Classroom Gossip After the exam, the characters overhear their peers talking excitedly about certain magical and monstrous creatures’ likenesses being used in the upcoming Rose Stage Festival, an

how to magically replicate those creatures’ sounds. Black Dragon Prop. “Someone wants to summon and control a real young black dragon on stage. No way will that work!” Students keep the biblioplex assistants busy with their many requests while studying

Quill's Party

Compendium - Sources->Dungeons & Dragons->Candlekeep Mysteries

Quill’s Party No matter how much time seems to have passed inside the painting, when Quill and the characters leave the extradimensional space, they land near the north wall of the ballroom during

engage in battle and flee if combat erupts. Renekor can tell the real Quill from the fake one. When it notices the characters and the real Quill, the beholder attacks, hovering just out of reach of melee

Type

Compendium - Sources->Dungeons & Dragons->Dragon of Icespire Peak

Type A creature’s type speaks to its fundamental nature. The following types of creatures appear in this adventure. Beasts. Nonhumanoid creatures that, like real-world animals, are a normal part of

parenthetical tags provide an additional layer of categorization for certain creatures, but they have no bearing on how a creature is used in combat.

62. Stone Juggernaut

Compendium - Sources->Dungeons & Dragons->Tomb of Annihilation

running perpendicular to this one. Where the two halls meet, words have been scrawled on the ceiling in dried blood. A secret door in the west wall slides open to reveal a dark tunnel leading to areas 26

hall, a thick purple drape hangs wall to wall. At the upper end, the hallway terminates. The hall slopes down toward area 62C. Area 62D lies to the west, behind a secret door that spans the entire

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