combat cultural

Modifying a Class

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

your world might worship a patron deity, performing secret missions in that deity’s name. To reflect this cultural detail, you could add Religion to the list of skills that a rogue character can choose

removing, and that the substitute class features contribute to the class’s effectiveness at social interaction, exploration, or combat just as well as those being replaced. Ultimately, a class exists

Staff

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

work for a franchise or its allies, perhaps tending a garden for a noble family or helping a merchant unload cargo from ships. They will not engage in combat and do not leave the headquarters to join

cultural heirloom they value above all else. Their flaw and secret could be that they stole the heirloom from their former employer, a rival merchant organization. Over time, the same hirelings might show

Way of the Open Hand

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Way of the Open Hand Monks of the Way of the Open Hand are the ultimate masters of martial arts combat, whether armed or unarmed. They learn techniques to push and trip their opponents, manipulate ki

lands with an Asian cultural flavor, such as Shou Lung far to the east of the Forgotten Realms, these monasteries are associated with philosophical traditions and martial arts practice. The Iron Hand

The Iron Tabernacle

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

The Iron Tabernacle The Iron Tabernacle is Gauntlgrym’s spiritual and cultural heart as well as its physical center. More than a temple, the tabernacle is an entire section of the city larger than

upon the characters to be on their guard, or to take guards with them, if they visit. From time to time, the sound of combat rings through the tabernacle hallways, a contrast to the chanting voices of

Racial Traits

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

Racial Traits The game traits of the monstrous races are given here. Refer to chapter 1 for their cultural and roleplaying notes. Some of these races are more or less powerful than the typical D&D

your first turn in combat, the attack deals an extra 2d6 damage to it. You can use this trait only once per combat. Languages. You can speak, read, and write Common and Goblin. Goblin Traits Your

Guilds and Groups

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

city of Sharn, which is both the cultural heart of Breland and a nexus for intrigue and diplomacy. Bards have much to gain from the company of other bards, as they exchange news, stories, and songs

circle. Bards are expected to set aside personal rivalries while in a circle outpost, and any kind of combat or violence is prohibited. Violating this rule results in immediate expulsion from the

Caves of Hunger Locations (H1-H10)

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

scores of real icicles that festoon the ceiling. The ice mephits are tasked with guarding the cave but do not enter melee combat willingly. An ice mephit’s preferred tactic is to use its action to fly

many similarities with Elvish, due to the cultural influence the elves had on Netherese civilization. A character who speaks Elvish can understand what a creature speaking Loross is saying, and vice

D&D Beyond

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