combat working rewards

Orc Legacy

Species Volo's Guide to Monsters

scythe. Only a skilled and determined hero can hope to survive single combat with an orc. Savage and fearless, orc tribes are ever in search of elves, dwarves, and humans to destroy. Motivated by their

to be invincible. They see the principles that define them and their deities at work every day in the world around them — nature rewards the strong and mercilessly eliminates the weak and the

Mercenary Veteran

Backgrounds Sword Coast Adventurer's Guide

greater rewards as an adventurer. Your experience makes you familiar with the ins and outs of mercenary life, and you likely have harrowing stories of events on the battlefield. You might have served with

tales from my military experience relevant to almost every combat situation. 5 I can stare down a hell hound without flinching. 6 I enjoy being strong and like breaking things. 7 I have

Fisher

Backgrounds Ghosts of Saltmarsh

You have spent your life aboard fishing vessels or combing the shallows for the bounty of the ocean. Perhaps you were born into a family of fisher folk, working with your kin to feed your village

fishing tackle. If you have access to a body of water that sustains marine life, you can maintain a moderate lifestyle while working as a fisher, and you can catch enough food to feed yourself and up to

For the Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

For the Golden Vault If the characters are working for the Golden Vault, the organization rewards them only if Eliphas and Zorhanna both survived, no innocent lives were lost in Paliset Hall, and the

For the Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

For the Golden Vault If the characters are working for the Golden Vault, the organization rewards the characters once the shard of Xeluan is returned to its rightful place. They receive a rare magic

Marine

Backgrounds Ghosts of Saltmarsh

who rarely lose composure on the battlefield. Marines who leave the service tend to work as mercenaries, but their combat experience also makes them excellent adventurers. Though they are self-reliant

never sours my mood. 5 I am dependable. 6 I am always working on some project or other. 7 I become cantankerous and quiet in the rain. 8 When the sea is within my sight, my

For the Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

For the Golden Vault If the characters are working for the Golden Vault, the organization’s representative is waiting with Mayor Broadfoot to confirm the automatons were shut down. Once the

representative confirms the characters’ success, the organization rewards them with a rare magic item of their choice (subject to your approval) as payment. The item is delivered to the characters the next day. This reward is in addition to the treasures promised by Mayor Broadfoot.

For the Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

For the Golden Vault If the characters are working for the Golden Vault, they must deliver the Book of Vile Darkness to their contact. Once they do, the organization rewards the characters with a

For the Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

For the Golden Vault If the characters are working for the Golden Vault, they must deliver the Murkmire Stone to Dr. Dannell by midnight. Once they do, the organization rewards the characters with an

Dimir Operative

Backgrounds Guildmasters’ Guide to Ravnica

people’s nightmares. 6 Combat is meant to be quick, clean, and one-sided. 7 I like to stick to the shadows. 8 I never show my anger. I just plot my revenge. Ideals

something horrible that I can’t remember because of the guild’s mind magic. 6 I put too much trust in the people who give me orders. Contacts As an agent of House Dimir working

Optimizing

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Optimizing Players who enjoy optimizing their characters’ capabilities like to fine-tune their characters for peak combat performance by gaining levels, new features, and magic items. They welcome

. including encounters that let their characters shine. providing quantifiable rewards, like experience points, for noncombat encounters.

Awarding XP

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

NPCs made the challenge easier. (See also “Nonplayer Characters” in chapter 3.) Noncombat Challenges You decide whether to award XP to characters for overcoming challenges outside combat. If the

point, use the rules for building combat encounters in chapter 4 to gauge the difficulty of the challenge. Then award the characters XP as if it had been a combat encounter of the same difficulty

Artavazda's Last Mission

Compendium - Sources->Dungeons & Dragons->Journeys through the Radiant Citadel

Artavazda’s Last Mission Upon learning that the Silent Roar is merely performing a banned play that evening, characters working with the Brightguard can report back to Artavazda at the Noble Jewel

. The pari rewards each character with a ruby worth 500 gp. If the characters don’t reveal the imminent attempt to free Afsoun, the insightful Artavazda shares a concern about the likelihood of such a

Statuesque

Compendium - Sources->Dungeons & Dragons->Infernal Machine Rebuild

combat, if the characters are allied with Moghadam and remove a hand and an eye from any statue, Vecna rewards them with some boon (advantage on attack rolls during the first round of their next fight, having a consumable magic item appear in the statue’s remaining hand, and so forth).

Statuesque You might introduce different options for interacting with the statues in area 24, especially if combat breaks out there. For example, if the eidolon inhabits a statue of Zariel or Bel

Trained for Danger

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Trained for Danger Not every member of the city watch, the village militia, or the queen’s army is a fighter. Most of these troops are relatively untrained soldiers with only the most basic combat

also much greater rewards — few fighters in the city watch have the opportunity to discover a magic flame tongue sword, for example.

Fun Combat Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Fun Combat Encounters The following features can add more fun and suspense to a combat encounter: Terrain features that pose inherent risks to both the characters and their enemies, such as a frayed

and their enemies to move around, such as chandeliers, kegs of gunpowder or oil, and whirling blade traps Enemies in hard-to-reach locations or defensive positions, so that characters who normally attack at range are forced to move around the battlefield Different types of monsters working together

Stop the Coach!

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Stop the Coach! If the characters kill Garra in noisy combat, the lightning rail coach stops, and a House Orien conductor (commoner) checks on the disturbance. If the characters explain that they are

working with the Sharn Watch to catch a murderer and present their writ, the conductor has the coach halted at the next stop, with guards waiting to verify the characters’ claims.

Noncombat Challenges

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Noncombat Challenges You decide whether to award experience to characters for overcoming challenges outside combat. If the adventurers complete a tense negotiation with a baron, forge a trade

agreement with a clan of surly dwarves, or successfully navigate the Chasm of Doom, you might decide that they deserve an XP reward. As a starting point, use the rules for building combat encounters in

General Features

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

cloaks of the Redbrands and claim to be emissaries sent by Iarno “Glasstaff” Albrek, the Redbrand leader, to meet with King Grol. A good DM rewards this kind of clever thinking by giving the

characters a chance to succeed. It’s okay if the characters circumvent combat and talk their way past castle defenders. Both the Cragmaw tribe and the Redbrands work for the Black Spider, so the goblinoids

Mythic Monsters

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

into truly legendary confrontations, well suited to the climactic battles at the ends of adventures or whole campaigns. Mythic traits are optional; they don’t need to be used during combat with these

twist that changes the way the monster behaves, restores its resources, or provides it with new actions to use. As a result, the battle becomes deadlier and rages on for longer than most combat

Conclusion

Compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Turn of Fortune’s Wheel

Conclusion The chapter concludes when Sincerity confesses to her crimes or the characters’ investigation reaches a dead end. In either case, Varrel thanks the characters for their efforts and rewards

them as agreed. Even if Varrel didn’t get new evidence to use against Sincerity, he plans to keep working the case and see the missing locals saved in accordance with the law. If the characters got

Trained for Danger

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Trained for Danger Not every member of the city watch, the village militia, or the queen’s army is a fighter. Most of these troops are relatively untrained soldiers with only the most basic combat

also much greater rewards — few fighters in the city watch have the opportunity to discover a magic flame tongue sword, for example.

Why Use Riddles?

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

an opportunity for the characters to engage with a creature that’s too strong to defeat in combat Reward clever characters who overcome a challenge with brains instead of brawn Make a villain, an

area, or an object seem more interesting or mysterious However, using too many riddles can slow gameplay. Use them thoughtfully and sparingly. Especially tricky riddles should entail worthwhile rewards

Working Together

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Working Together Sometimes two or more characters team up to attempt a task. The character who’s leading the effort — or the one with the highest ability modifier — can make an ability check with

advantage, reflecting the help provided by the other characters. In combat, this requires the Help action (see chapter 9, “Combat”). A character can only provide help if the task is one that he or she

Instructor

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Instructor Some fighters are natural-born combatants who have a talent for surviving in battle. Others learned the basics of their combat prowess in their formative years from spending time in a

accomplished veteran of the craft. That instructor was, or perhaps still is, well versed in a certain aspect of combat that relates to the student’s background. If you decide that your character had an

Joint DMs

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Joint DMs Two or more DMs can share the creation of a single campaign, working together to maintain continuity from session to session and making sure that each DM’s adventures advance the larger

enjoy or the DMs trading focus from session to session. One DM might run combat description and keep a battle moving while the other focuses on miniatures and music. The two DMs can play two different

The Enemy Sighted

Compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

road, headed toward Vogler. The adventure unfolds in one of two ways from here: With Mass Combat. If you are using the Dragonlance: Warriors of Krynn game along with this adventure, consult the

“Warriors of Krynn: Scenario 1” sidebar. Without Mass Combat. If you aren’t using the Dragonlance: Warriors of Krynn game, continue with the “Invasion of Vogler” section. WARRIORS OF KRYNN: SCENARIO 1

Gnomes of Zilargo

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Your family is working on a new form of elemental binding, but they need a lot of Khyber dragonshards. 2 You have an anonymous contact who sends you missions via the sending spell. When you do as you’re

asked, you receive handsome rewards. 3 You’ve inherited a plot of land in Q’barra. If you don’t visit within a year, you’ll lose the claim. 4 Due to an unusual twist of Triumvirate law, you share the

Chapter 3: Creating Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Chapter 3: Creating Adventures Creating adventures is one of the greatest rewards of being a Dungeon Master. It’s a way to express yourself, designing fantastic locations and encounters with monsters

interaction, and combat into a unified whole that meets the needs of your players and your campaign. But it’s more than that. The basic elements of good storytelling should guide you throughout this process, so your players experience the adventure as a story and not a disjointed series of encounters.

Ignoring the Dice

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Ignoring the Dice One approach is to use dice as rarely as possible. Some DMs use them only during combat, and determine success or failure as they like in other situations. With this approach, the

make an ability check to do so. This approach rewards creativity by encouraging players to look to the situation you’ve described for an answer, rather than looking to their character sheet or their

Bottom Card: Reward or Ruin

Compendium - Sources->Dungeons & Dragons->The Book of Many Things

a ruin based on how well the players resolved the day’s top card. If you’re using cards that have a different meaning when they’re upright versus upside down, ignore the cards’ orientation. Rewards

When determining rewards, here are some effects to consider: Friendly Aid. The characters encounter another traveler or a friendly local resident who offers them food, shelter, information, or other

Working Together

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Working Together Sometimes two or more characters team up to attempt a task. The character who's leading the effort--or the one with the highest ability modifier--can make an ability check with

advantage, reflecting the help provided by the other characters. In combat, this requires the Help action. A character can only provide help if the task is one that he or she could attempt alone. For

City Encounters

Compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

Army Engineers (see below) 5 A curious death slaad wants to eat one of each type of draconian. If the characters help it hunt all five, it rewards them with a ring of feather falling. 6 Monster

them, the engineers stay out of combat. The engineers can tell the characters they’re making sure the city’s foundations are solid, though they don’t know why. Monster Hunters A sivak draconian and

Aphelion's Errands, Level 2

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Hedges. Invasive plants have spread to this level. Aphelion asks the characters to destroy the growths near three of the drop tubes (see area S38). For each task the characters complete, Aphelion rewards

gifts them four energy cells instead. The items are delivered by a combat robot that arrives via the nearest drop tube before returning to the first level of the ship.

Tyrants Campaign Themes

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

Sharn. In working the Tyrants into a campaign, the first question is which of these objectives will take precedence. Are they primarily grifters, trying to squeeze as much profit as possible out of the

situation? Are they mainly working to gather secrets, and to use those secrets to manipulate others? Or are they most concerned with helping other changelings, who are often with the objects of fear

D&D Beyond

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