concept relatively game to have responses - Search

Ancient Sapphire Dragon

Monsters Fizban's Treasury of Dragons

cannot resist a game of dragonchess—which, I will have you know, my ancestors probably invented. 8 The sight of blood makes me queasy. Sapphire Dragon Ideals d6

top of the map) provides the main access to the lair by way of two sections of relatively thin crystal walls. The dragon can use a lair action to open or close passages through these walls throughout

After the Horror

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

emotional responses. At the end of a horror game session, leave time to check in with players and ask them how the game went, how they’re feeling, and what they liked about the session. You might ask the

craft the next session to create a game your players enjoy. If players give short or vague answers or you suspect that trust at the table has been broken, try creating an anonymous space to receive

It's Just Business

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

It’s Just Business With its roots set firmly in heroic fantasy, D&D might feel out of sync with modern-day business dealings. But the game and its settings are actually a perfect fit for such tropes

other paid laborers working for the heroes have been staples of Dungeons & Dragons since the earliest editions of the game. Charisma in AD&D was good for little other than determining how many

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

the game. It includes information on the various races, classes, backgrounds, equipment, and other customization options that you can choose from. Many of the rules in part 1 rely on material in parts

Session Zero

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Boundaries Review your takeaways from the content surveys. Then, informed by players’ survey responses, present your list of content the game will not feature. These are your game’s boundaries and will not

characters. Reinforce Expectations Make it clear that D&D is a group storytelling game. As the DM, you have a role in crafting adventures and arbitrating rules, but you aren’t solely responsible for how

Appendix E: Concept Gallery

Compendium - Sources->Dungeons & Dragons->Rise of Tiamat

. The images herein show just a few avenues explored in updating these foes to the most current edition of the game, along with notes taken from internal concept and story documents. Some present

Appendix E: Concept Gallery Just as most adventurers don’t walk into a dragon’s lair without a plan, neither were D&D’s iconic monsters developed without considerable forethought. This gallery

Creating a Monster

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

the concept for your monster. What makes it unique? Where does it live? What role do you want it to serve in your adventure, your campaign, or your world? What does it look like? Does it have any

weird abilities? Once you have the answers to these questions, you can start figuring out how to represent your monster in the game.

Firbolg Legacy

Species Volo's Guide to Monsters

an unappealing place to explore by temporarily diverting springs, driving away game, stealing critical tools, and altering trails to leave hunting or lumber parties hopelessly lost. The firbolgs

adopt elven names when they must deal with outsiders, although the concept of names strikes them as strange. They know the animals and plants of the forest without formal names, and instead identify the

Ancient Deep Dragon Legacy

Monsters Fizban's Treasury of Dragons

. Change Shape. The dragon magically transforms into any creature that is Medium or Small, while retaining its game statistics (other than its size). This transformation ends if the dragon is reduced to 0

attached to their front legs and can fold in close to the body, allowing deep dragons to easily maneuver through relatively narrow tunnels. Deep dragons often hoard secrets, delighting in knowledge of

Play Style

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

rules (discussed in part 3), and the type of game you want to run. Describe to the players how you envision the game experience and let them give you input. The game is theirs, too. Lay that groundwork

early, so your players can make informed choices and help you maintain the type of game you want to run. Consider the following two exaggerated examples of play style. Hack and Slash The adventurers

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Tovar, Gabriel Waluconis Prepress Specialist: Jefferson Dunlap Product Manager: Natalie Egan D&D Studio Executive Producer: Kyle Brink Game Architects: Jeremy Crawford, Christopher Perkins

Appendix E: Concept Gallery

Compendium - Sources->Dungeons & Dragons->Tyranny of Dragons

. The images herein show just a few avenues explored in updating these foes to the most current edition of the game, along with notes taken from internal concept and story documents. Some present

Appendix E: Concept Gallery Just as most adventurers don’t walk into a dragon’s lair without a plan, neither were D&D’s iconic monsters developed without considerable forethought. This gallery

Adult Deep Dragon Legacy

Monsters Fizban's Treasury of Dragons

. The dragon magically transforms into any creature that is Medium or Small, while retaining its game statistics (other than its size). This transformation ends if the dragon is reduced to 0 hit points

attached to their front legs and can fold in close to the body, allowing deep dragons to easily maneuver through relatively narrow tunnels. Deep dragons often hoard secrets, delighting in knowledge

Appendix E: Concept Gallery

Compendium - Sources->Dungeons & Dragons->Hoard of the Dragon Queen

. The images herein show just a few avenues explored in updating these foes to the most current edition of the game, along with notes taken from internal concept and story documents. Some present

Appendix E: Concept Gallery Just as most adventurers don’t walk into a dragon’s lair without a plan, neither were D&D’s iconic monsters developed without considerable forethought. This gallery

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

. Schwalb, Rodney Thompson, James Wyatt Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Adult Sapphire Dragon

Monsters Fizban's Treasury of Dragons

they do, they obviously cheated. 6 Any creature that can hold their own against me must teach me how—whether they want to or not. 7 I cannot resist a game of dragonchess—which

by way of two sections of relatively thin crystal walls. The dragon can use a lair action to open or close passages through these walls throughout the lair. Cobweb-Choked Tunnels. Adventurers who

4. Describe Your Character

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

4. Describe Your Character Once you know the basic game aspects of your character, it’s time to flesh him or her out as a person. Your character needs a name. Spend a few minutes thinking about what

. Your DM might offer additional backgrounds beyond the ones included in chapter 4, and might be willing to work with you to craft a background that’s a more precise fit for your character concept. A

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Chapter 2: Downtime Revisited It’s possible for the characters to start a campaign at 1st level, dive into an epic story, and reach 10th level and beyond in a short amount of game time. Although that

they amass on their adventures. The system presented here consists of two elements. First, it introduces the concept of rivals. Second, it details a number of downtime activities that characters can

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Crawford (co-lead), Christopher Perkins (co-lead), James Wyatt (co-lead), Peter Lee, Mike Mearls, Robert J. Schwalb, Rodney Thompson Building on the original game created by Gary Gygax and Dave Arneson and then developed by many others over the past 50 years

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

World’s Greatest Roleplaying Game are trademarks of Wizards of the Coast in the USA and other countries. All characters and their distinctive likenesses are property of Wizards of the Coast. This

Appendix C: The Planes of Existence

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Appendix C: The Planes of Existence Incredibly vast is the cosmos of the Dungeons & Dragons game, which teems with a multitude of worlds as well as myriad alternate dimensions of reality, called the

planes of existence. It encompasses every world where Dungeon Masters run their adventures, all within the relatively mundane realm of the Material Plane. Beyond that plane are domains of raw

Running the Adventure

Compendium - Sources->Dungeons & Dragons->Tales from the Yawning Portal->a4

for a party to investigate all three branches of the dungeon. If this is the case, it would be best if the party were required to leave the dungeon and reenter upon resumption of the game. If they stay

in the nearest village (several miles away) they will be relatively safe, but if they camp near White Plume Mountain it would be a good idea to roll for random encounters. PLACING THE ADVENTURE

Credits

compendium - Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen

, Magali Villeneuve, Lauren Walsh, Shawn Wood, Zuzanna Wužyk, Kieran Yanner Concept Art Directors: Richard Whitters, Shawn Wood Concept Artists: Alix Branwyn, Tyler Jacobson, Chris Rahn, Magali

of Studio Operations: Kyle Brink Game Architects: Jeremy Crawford, Christopher Perkins Design Manager: Steve Scott Design Department: Justice Arman, Judy Bauer, Eytan Bernstein, Janica Carter

Lay Out the Premise

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

deviation, but more in terms of situations that you are presenting to the characters. The adventure unfolds organically from the players’ responses to the situations you present. Guide Rails and Railroads

Players need to feel like they’re in control of their characters, the choices they make matter, and what they do has some effect on the outcome of the adventure and on the game world. Keep that in mind

Kobold Legacy

Species Volo's Guide to Monsters

lack of emotional bonding means they have no concept of marriage or permanent family relationships. Their eggs are placed in a common tribal hatchery with no effort to keep track of who each one

, since food is relatively scarce in such areas. Partly out of fear and partly because their eyes are sensitive to sunlight, kobolds prefer the security of a cave to living in the open air, and can be

Appendix A: Shared Campaigns

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Appendix A: Shared Campaigns Coordinating a regular schedule of D&D game sessions, to keep a campaign active and vibrant, can be a challenge. If the campaign’s only Dungeon Master or enough players

hard to keep a campaign going. Enter the concept of the shared campaign. In a shared campaign, more than one member of the group can take on the role of DM. A shared campaign is episodic rather than

Prepare to Be Scared

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

atmosphere of the adventure. Don’t consider fear a tactical disadvantage or something to be avoided. As part of playing a frightening game, you’re a participant in building and reinforcing a sense of dread

, discuss with your group how much fear ties into the game’s rules. Would you prefer to keep frightful reactions narrative, or would you like to use game rules that present additional challenges and

Darklords

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

. Darklords range from monstrous tyrants to depraved individuals who otherwise appear as ordinary people. A Darklord’s position and powers stem from their deeds, not their game statistics. While some

concept of how long they’ve lived, how many times they’ve died, or why they returned to life. Should a Darklord fall, the temporary defeat lasts until they’re restored by the Dark Powers. In their

Roleplaying

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

adventurers are in a living world. Strive for responses and actions that introduce twists into the game. For example, an old woman whose family was killed at the hands of an evil wizard might regard

portraying their characters. This makes social interactions an opportunity for everyone to become more immersed in the game, creating a story whose protagonists have depth. To make sure everyone has

Introduction

Compendium - Sources->Dungeons & Dragons->Mordenkainen's Fiendish Folio Volume 1

action going. We might face a setback, but we’re never completely out of the game. We can load from a save point, restart from level 1, or kick off a new campaign. If you’ve ever had someone close to

you receive a cancer diagnosis or a similar health news, you probably appreciate that concept a little more than other people. Watching someone you love waste away is a terrible thing. You want a

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Boo’s Astral Menagerie

Nordsol, Claudio Pozas, April Prime, Julio Reyna, Craig J Spearing, Matt Stewart, Cory Trego-Erdner, Brian Valeza, Randy Vargas, Svetlin Velinov, Shawn Wood, Zuzanna Wuzyk Concept Illustrator: Shawn

Executive Producer: Ray Winninger Director of Studio Operations: Kyle Brink Game Architects: Jeremy Crawford, Christopher Perkins Art Department: Matt Cole, Trystan Falcone, Bree Heiss, Kate

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

: CoupleofKooks, Dyson Logos Concept Illustrators: Titus Lunter, Shawn Wood Stat Block Analysts: Makenzie De Armas, Taymoor Rehman Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona

, Kevin Yee Prepress Specialist: Jefferson Dunlap D&D Studio Executive Producer: Ray Winninger Director of Studio Operations: Kyle Brink Game Architects: Jeremy Crawford, Christopher Perkins

Credits

compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Astral Adventurer’s Guide

: CoupleofKooks, Dyson Logos Rock of Bral Poster Map Cartographer: Marco Bernardini Concept Illustrators: Titus Lunter, Shawn Wood Project Engineer: Cynda Callaway Imaging Technicians: Daniel Corona, Kevin

Yee Prepress Specialist: Jefferson Dunlap D&D Studio Executive Producer: Ray Winninger Director of Studio Operations: Kyle Brink Game Architects: Jeremy Crawford, Christopher Perkins

Core Assumptions

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Core Assumptions The rules of the game are based on the following core assumptions about the game world. Gods Oversee the World. The gods are real and embody a variety of beliefs, with each god

world’s fate. The World Is Magical. Practitioners of magic are relatively few in number, but they leave evidence of their craft everywhere. The magic can be as innocuous and commonplace as a potion that

Armor and Shields

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

from leather armor to chain mail to costly plate armor, with several other kinds of armor in between. The Armor table collects the most commonly available types of armor found in the game and

with supple leather. Although it leaves the legs and arms relatively unprotected, this armor provides good protection for the wearer’s vital organs while leaving the wearer relatively unencumbered

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