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Returning 5 results for 'deceit imbued are buildings'.

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Yuan-ti Pureblood Legacy

Species Volo's Guide to Monsters

yuan-ti know they can’t resort to direct attacks in order to reclaim their rightful place in the world. Operating out of the subterranean ruins of their buildings in foreign lands, yuan-ti

the gods or as food. Depend on Deceit Yuan-ti have no sense of honorable combat. They are naturally stealthy, and if they can sneak up on enemies, either in an ambush or to murder them in their sleep

Gargoyle

Compendium - Sources->Dungeons & Dragons->Monster Manual (2014)

Gargoyle The inanimate gargoyles that perch atop great buildings are inspired by these malevolent creatures of elemental earth that resemble grotesque, fiendish statues. A gargoyle lurks among

ELEMENTAL EVIL As Ogrémoch, the evil Prince of Elemental Earth, treads his stony realm, it leaves shards of broken rock in his wake. Imbued with slivers of sentience, these shards thrum with the

Wilderness Hazards

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

8 to set an appropriate DC for any check made to spot or recognize a hazard. Desecrated Ground Some cemeteries and catacombs are imbued with the unseen traces of ancient evil. An area of desecrated

into the quicksand. Razorvine Razorvine is a plant that grows in wild tangles and hedges. It also clings to the sides of buildings and other surfaces as ivy does. A 10-foot-high, 10-foot-wide, 5-foot

Candlekeep

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

courtyard is empty, containing neither tree nor well. Its southern wall is the southern wall of Candlekeep itself, with a number of fieldstone-wrought buildings intended for visitors’ use built along it

. Nearest the western wall of the courtyard stand two buildings: the House of the Binder, a large temple of Oghma with plenty of space to allow his faithful to camp and socialize, and the Baths, a public

Daoine Gloine

Compendium - Sources->Dungeons & Dragons->Lost Laboratory of Kwalish

, resembling an almost-transparent barrier some thirty feet above the ground, visible only where it catches the light. Below that strange barrier, the buildings of the city are unnaturally clean

number of the glass statues have been imbued with mechanical-magical power — armatures of the inventor’s own design that animate into ooze-folk. Once the characters enter the ooze to explore the streets