denial immersed are building

Recurring Villains

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

adventurers. Alternatively, the characters might assume a villain is dead — after falling over a waterfall, being trapped in a burning building, or getting swallowed by a purple worm — only to

combines with curiosity to drive the adventurers to further exploration. When characters dig deeply into the mysteries of the world, your campaign benefits as they become more immersed in and attached to

Monastery Locations

Compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

closed monastery doors. The plain doors are made of heavy timber with iron studs. A dusty footpath circles the building. If the characters scout around the other sides of the building, add the

building. Nobody inside the monastery pays much attention to people skulking around outside, although characters who make a commotion might attract the attention of cultists whose windows look out in the

Upper City Gazetteer

Compendium - Sources->Dungeons & Dragons->Baldur’s Gate Gazetteer

to stop her, since the victims are social inferiors whose welfare isn’t worth interrupting their own revels. It’s also likely that her siblings are in denial about the true extent of their sister’s

building serves as a quasi-religious museum for the magnificent inventions wrought in Gond’s name. Unlike the similarly named High House of Wonders, which serves as both temple and workshop housing working

Upper City Gazetteer

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

to stop her, since the victims are social inferiors whose welfare isn’t worth interrupting their own revels. It’s also likely that her siblings are in denial about the true extent of their sister’s

building serves as a quasi-religious museum for the magnificent inventions wrought in Gond’s name. Unlike the similarly named High House of Wonders, which serves as both temple and workshop housing

D&D Beyond

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