Search Results
All Results
Characters
Compendium
Spells
Items
Monsters
Vehicles
Forums
Returning 35 results for 'draw instance are bring'.
Other Suggestions:
dark instances are bring
dark instant are bring
draw instinct are being
draws instances are bring
draw instinct are beings
Magic Items
Tashaâs Cauldron of Everything
pouch, stitched with images of heroes and whimsical creatures. Where the teeth fall, they bring legends to life.
Using the Teeth. While you are holding the pouch, you can use an action to draw one tooth
. Roll on the Teeth of Dahlver-Nar table to determine which tooth you draw, and you can either sow the tooth or implant it (both of which are described later).
If you donât sow or implant the
Backgrounds
Baldurâs Gate: Descent into Avernus
there.
3
I treasure a memento of the person or instance that set me upon my path.
4
I sleep just as much as I need to and on an unusual schedule.
5
I think far ahead, a detachedness
)
2
Security. Doing what must be done canât bring the innocent to harm. (Lawful)
3
Confusion. Deception is a weapon. Strike from where your foes wonât expect. (Chaotic)
4
Orc
Legacy
This doesn't reflect the latest rules and lore.
Learn More
Species
Volo's Guide to Monsters
hatred of the civilized races of the world and their need to satisfy the demands of their deities, the orcs know that if they fight well and bring glory to their tribe, Gruumsh will call them home to
infirm. Orcs donât revere their gods as much as they fear them; every tribe has superstitions about how to avert their wrath or bring their favor. This deep-seated uncertainty and fear comes forth
Hobgoblin
Legacy
This doesn't reflect the latest rules and lore.
Learn More
Species
Volo's Guide to Monsters
its officers. For instance, the captains of the highest-ranking banners can expect their orders to be followed by the captains of any banners of lower rank.
Rank and responsibility arenât
will result in death if the act will bring glory to the banner or the legion.
Honor the Gods. Hobgoblins give regular recognition to the deities left to them after Maglubiyetâs conquest. Idols
Backgrounds
Sword Coast Adventurer's Guide
agent. (For instance, consider the words âfaithâ and âfactionâ to be interchangeable.)
Your bond might be associated with other members of your faction, or a location or an
try to help those in need, no matter what the personal cost. (Good)
3
Change. We must help bring about the changes the gods are constantly working in the world. (Chaotic)
4
Power. I hope
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide (2014)
game is played. For instance, players need to know what happens when one of them misses a session. They need to know whether to bring miniatures, any special rules youâve decided to use, and how to treat
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide
Atmosphere Bring a place to life by adding touches of atmosphere, such as a lingering smell of ash, tiny beetles skittering along the dungeon floor, or blue flowers blossoming in the otherwise
desolate and gloomy graveyard. Pick a couple of senses (sight, hearing, smell, touch, or taste) to highlight. Describe changes in the environment to direct your playersâ attention. For example, a bird alighting on a gravestone might draw the charactersâ attention to it.
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
bend to its will, shifting to bring about its vision of a world of absolute perfection with the demon at its center. One Cosmos, Infinite Visions All demons seek to satisfy their whims and force others
status, and they typically donât set impossible goals â a lesser demon, for instance, might simply run amok when unleashed into the world, its only desire to spread chaos, but a marilith or other
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide
the Premiseâ earlier in this chapter. Hook. Each adventure offers one way to draw characters in to the adventure. See âDraw In the Playersâ earlier in this chapter. Encounters. The rest of each
encounter. Monster names in bold point you to the stat blocks in the Monster Manual. Some encounters also specify treasure the characters might find. Use your imagination to bring the locations and encounters
Compendium
- Sources->Dungeons & Dragons->Eberron: Rising from the Last War
characters will bring a daelkyr one step closer to freedom. 5 The characters discover evidence suggesting that the rituals performed by the local Gatekeepers are weakening their seal, not empowering
it. 6 Pilgrims traveling through a forest draw the attention of Gatekeepers, who think they are spies sent to sabotage the nearby seal. 7 One of the kidnapped victims who was rescued from a marauding
Compendium
- Sources->Dungeons & Dragons->The Book of Many Things
, the character gains 1 level of exhaustion that canât be removed until the soul is restored. The character grows more listless and withdrawn as the exhaustion builds. Instinctive Draw The soulless
character feels a pull toward what theyâve lost. If youâre using the House of Cards, the character senses that a Deck of Many Things can bring them where they need to be.
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide
you hope to evoke. Step 2: Draw In the Players. Start your campaign in a memorable way. Determine how the characters get drawn into events and how the charactersâ goals and ambitions might come into
important locations, and the elements that link the adventures together. Step 4: Bring It to an End. Think about how the campaign might end and what level you expect the characters to be when the campaign
Compendium
- Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen
your character, and choose from two new backgrounds: the Knight of Solamnia and Mage of High Sorcery. Feats. Draw on the power of magic, honor, or the gods with this selection of feats. Subclass
Option. Tie your magic to Krynnâs three mystical moons with the Lunar Sorcery sorcerer subclass. Adventuring defenders of Solamnia bring down a red dragon servant of the Dragon Queen
Compendium
- Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen
the chaos. He intends to lead the characters to the tunnels in the foundation of the flying citadel. He urges them not to attack during the flight or otherwise draw attention to themselves. Once the
characters land on the citadel, itâll be up to them to find a way to bring it down. Clystran doesnât know how the characters will escape after destroying the flying citadel, but he promises to watch
Compendium
- Sources->Dungeons & Dragons->Dragonlance: Shadow of the Dragon Queen
graveyard it was built on. Now, Onyariâs ruins draw the attention of the Red Dragon Army, whose leaders believe they can raise the city into the heavens once more. The black-robed mage Lohezet and the
depths of Castle Kalaman to raise the dead dragons buried in Onyariâs foundations and bring them to her service. Soldiers from Kalaman struggle to survive amid the treacherous canyons of the Northern Wastes
Compendium
- Sources->Dungeons & Dragons->Xanathar's Guide to Everything
A Bardâs Muse Naturally, every bard has a repertoire of songs and stories. Some bards are generalists who can draw from a wide range of topics for each performance, and who take pride in their
, its roots delving into the dark unknown to draw forth the power of the earth, while its branches reach toward the sun to nourish their flowers and fruit. Nature is the ancient witness who has seen
Compendium
- Sources->Dungeons & Dragons->The Book of Many Things
, offering magical trinkets and the opportunity to draw from his Deck of Many Things. But when the Grim Harrow begins to close in, Oddlewin hides the deck among the charactersâ belongings and flees, sending
the harrowing hunt in pursuit of the characters. Domenico Cava Jyn Corvis may have been the first person
to draw the Skull card from the deck Redemption. Asteria (see chapter 22) believes the Grim
Compendium
- Sources->Dungeons & Dragons->Lost Mine of Phandelver
give them a clear mental picture of the location, or you can draw what they see on a separate piece of graph paper, copying whatâs on your map while omitting details as appropriate.
Scale and Grid. A
either 5 feet on a side or 10 feet on a side.
Compass Rose. A compass rose comes in handy when youâre describing locations. For instance, you might need to tell players about âbarrels along the north wallâ or âthe staircase descending to the west.â
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide
setting and what is unique and fun about it. Step 2: Draw In the Players. Think about how the characters will get drawn into the situation youâve established. Consider how the adventure might tie in
with the charactersâ goals. Step 3: Plan Encounters. Determine the encounters or events that take the characters from the beginning of the adventure to the end. Step 4: Bring It to an End. How do you
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
allow for variations. A pit fiend, for instance, might take the form of an imp in order to personally infiltrate a kingdom on the Material Plane. The hierarchy of the Nine Hells has thirteen tiers or
personal attitude and situation. For instance, devils that fight in the Blood War rely on military regulations and their officersâ directions to dictate their actions. They obey orders without
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
wishes them to collect. Sometimes they are small: a spurned lover, a lost item, a betrayal. But some tragedies are much graver: a murder, a war, a diabolical bargain. To bring back a trinket for their
capture the whole soul to bring back to the Raven Queen. Sediment of Memory. Shadar-kai are very interested in the magical silt at the bottom of the River Styx that holds the memories and identities
Compendium
- Sources->Dungeons & Dragons->Princes of the Apocalypse
Chapter 1: Rise of Elemental Evil A terrible threat gathers in the North. Throughout this region of the Forgotten Realms, savage marauders bring destruction. Monsters are on the prowl, preying on
nodes, places where the Elemental Planes connect to the Material Plane. The cults draw elemental creatures through the nodes, and they use elemental magic to create devastation orbs capable of ravaging
Compendium
- Sources->Dungeons & Dragons->Candlekeep Mysteries
book and have its advice copied by the scribes in the House of the Binder. Depending on how you bring the book into the possession of the characters, they might spend enough time with it to discover
muttering precedes the approach of one of the Avowed, who scans the tomes on the surrounding shelves as they draw near to you. âShe must have been here ⊠I donât understand âŠâ they murmur as they
Compendium
- Sources->Dungeons & Dragons->Basic Rules (2014)
door during your move as you stride toward a foe, or you could draw your weapon as part of the same action you use to attack. If you want to interact with a second object, you need to use your action
care or when it presents an unusual obstacle. For instance, the DM could reasonably expect you to use an action to open a stuck door or turn a crank to lower a drawbridge. Reactions Certain special
Compendium
- Sources->Dungeons & Dragons->The Book of Many Things
from his Deck of Many Things and pull a card from the deck. Oddlewin secretly enjoys seeing the chaos creatures bring about by drawing from the deck. He allows each character to draw one card. If
Mustardseed and bring him back, Oddlewin will let each of them draw a card from his Deck of Many Things. Mustardseed has wandered through a nearby fey crossing into the Feywild, but the details of his
Compendium
- Sources->Dungeons & Dragons->Heroesâ Feast: Saving the Childrenâs Menu
, the head chef. Kaga is usually pleasant but formal; today, however, his tone is grave. He shares the following information: âJacque was wise to bring you to me. I have need of adventurers such as
yourselves, but itâs a matter of the utmost discretion. If you are willing to help, together we will bring joy to all the children of Daggerford. And your reward! You shall dine on the most delicious food
Compendium
- Sources->Dungeons & Dragons->Hoard of the Dragon Queen
should be the top draw on the charactersâ attention. On most mornings, hunters fan out onto the grassland to hunt for antelope and other large game. They travel on horseback and bring along an extra
horse to pack the field-dressed game back to the camp. Hunters donât necessarily return to the camp every evening. They stay out until they have a load of meat to bring back. Hunting on the Greenfields is
Compendium
- Sources->Dungeons & Dragons->Dungeon Masterâs Guide (2014)
laugh or feel emotionally engaged and to incorporate those things into your roleplaying. Being the NPC Imagine how a character or monster you bring to life would react to the adventurers. Consider what it
distinctive speech patterns from real life, the movies, or television is a good place to start. Practice different voices and impersonations of famous people, then use those voices to bring your NPCs to
Compendium
- Sources->Dungeons & Dragons->Tyranny of Dragons
should be the top draw on the charactersâ attention. On most mornings, hunters fan out onto the grassland to hunt for antelope and other large game. They travel on horseback and bring along an extra
horse to pack the field-dressed game back to the camp. Hunters donât necessarily return to the camp every evening. They stay out until they have a load of meat to bring back. Hunting on the Greenfields
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
, cunning, and planning instead of brute force. Phenax and his champions move with purpose, donât draw attention to themselves, and use misdirection to keep foes guessing about when and where their
, and fencing stolen loot might bring the characters into opposition against Phenax and his followers. Whenever possible, servants of Phenax try to stage their misdeeds in a way that implicates other
Compendium
- Sources->Dungeons & Dragons->Heroes of the Borderlands
Quest: Fire Ghost If the characters donât bring up the unusual sign on the storeroom door, Ruckus soon mentions it and asks for their help in resolving the matter. Read the following boxed text aloud
inspecting the storeroom, the characters can draw their conclusions. A character who considers the evidence and succeeds on a DC 13 Intelligence (Investigation) check correctly deduces the source of the
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
worn smooth by wind and sand. Two large trebuchets stand atop the ruins. Where cheers once rang out across a great city, now a solemn fortress stands before you, waiting for you to draw near. The dry
unfolds; itâs simply a reflection of Iymrithâs mood. Storm giants who stride boldly toward the amphitheater with weapons in hand draw fire from the trebuchets (see area 1). The characters can let the storm
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
move or your action. For example, you could open a door during your move as you stride toward a foe, or you could draw your weapon as part of the same action you use to attack. If you want to interact
for any of these activities when it needs special care or when it presents an unusual obstacle. For instance, the DM could reasonably expect you to use an action to open a stuck door or turn a crank
Compendium
- Sources->Dungeons & Dragons->Mordenkainen's Tome of Foes
so similar to their afterlife as to allow elves to live in a virtual heaven on earth. Although the performance of the ritual was an act of supreme sacrilege, it didnât bring divine retribution down
certain stars, elves of many worlds can get to Evermeet â if theyâre lucky. Even from Toril, for instance, one can sail to Evermeet only on a ship captained by an elf who has been there before. And if
Compendium
- Sources->Dungeons & Dragons->The Book of Many Things
, the Rogue, lies flat on the table. Suddenly, the statue speaks:
âStill searching for the perfect hand? Find the four missing cards and bring them here. The treacherous Rogue is poised to backstab
characters might need to decode a map or navigate a maze to find the cards. You can also make this puzzle more complex by separating the clues. For instance, have each clue come from a different statue






