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Deathless Rider

Monsters Monstrous Compendium Vol. 4: Eldraine Creatures

Queen, who rules from a castle called Dynnistan. It isn’t known whether these legends are based on any true experience or are simply the result of imagination trying to account for a terrifying and

Half-Elf Legacy

Species Basic Rules (2014)

like elves, and to elves, they look human. In height, they’re on par with both parents, though they’re neither as slender as elves nor as broad as humans. They range from under 5 feet to

. EXCELLENT AMBASSADORS Many half-elves learn at an early age to get along with everyone, defusing hostility and finding common ground. As a race, they have elven grace without elven aloofness and

Wereraven

Monsters Curse of Strahd

, modestly give money to charity. They take steps to keep magic items out of evil hands by stashing them in secret hiding places. Characters as Wereravens. The Monster Manual has rules for characters

already higher. Attack and damage rolls for the wereraven’s bite are based on whichever is higher of the character’s Strength and Dexterity. The bite of a wereraven in raven form deals 1

Vedalken

Species Guildmasters’ Guide to Ravnica

external ears, their noses are broad and flat, and they are partially amphibious. Cool Rationality Despite being talkative, vedalken keep their personal lives private, and they tend to engage more

with ideas than with people. They form close friendships based on mutual interests or compelling disagreements, and their interactions dwell on their thoughts about those issues rather than their

Shapechange Legacy

Spells Basic Rules (2014)

of equipment, based on the creature's shape and size. Your equipment doesn't change shape or size to match the new form, and any equipment that the new form can't wear must either fall to the ground

rules for the original form, with one exception: if your new form has more hit points than your current one, your hit points remain at their current value.

Avarice

Monsters Icewind Dale: Rime of the Frostmaiden

challenge, even when the odds are clearly stacked against her. Seeing other wizards as a threat, paranoia rules her life. Avarice has been a member of the Arcane Brotherhood for almost two years. She

around their necks. These self-styled Knights of the Black Sword offered her sanctuary in the keep of Caer-Dineval, where they are based. Although she doesn’t trust the cultists, they treat her

Tiefling Legacy

Species Basic Rules (2014)

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Living Loot Satchel

Magic Items Acquisitions Incorporated

. Class-Based Living Loot Satchel Class Satchel Barbarian Broad belt with a dozen hanging pockets Bard Lute case Cleric Hollowed-out holy tome Druid Made from natural

Giff

Species Spelljammer: Adventures in Space

Giff are tall, broad-shouldered folk with hippo-like features. Some have smooth skin, while others have short bristles on their faces and the tops of their heads. As beings of impressive size and

character is a member of the human race or one of the game’s fantastical races. If you create a character using a race option presented here, follow these additional rules during character creation

Warforged Legacy

Species Eberron: Rising from the Last War

and crystal eyes embedded beneath a reinforced brow ridge. Beyond these common elements of warforged design, the precise materials and build of a warforged vary based on the purpose for which it was

deeper meaning. The typical warforged has a sexless body shape. Some warforged ignore the concept of gender entirely, while others adopt a gender identity. The more a warforged develops its

Using This Book

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

2 and 3. If you come across a game concept in part 1 that you don’t understand, consult the book’s index. Part 2 (chapters 7–9) details the rules of how to play the game, beyond the basics described

Using This Book The Player’s Handbook is divided into three parts. Part 1 (chapters 1–6) is about creating a character, providing the rules and guidance you need to make the character you’ll play in

Feral Tiefling

Species Sword Coast Adventurer's Guide

three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language, passed down through generations, that

reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and then try to embody that concept. For some

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal language

, passed down through generations, that reflect their fiendish heritage. And some younger tieflings, striving to find a place in the world, adopt a name that signifies a virtue or other concept and

Tiefling Names

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

Tiefling Names Tiefling names fall into three broad categories. Tieflings born into another culture typically have names reflective of that culture. Some have names derived from the Infernal

concept and then try to embody that concept. For some, the chosen name is a noble quest. For others, it’s a grim destiny. Male Infernal Names: Akmenos, Amnon, Barakas, Damakos, Ekemon, Iados, Kairon

Player's Handbook Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Player’s Handbook Credits Lead Designer: Jeremy Crawford Designers: Christopher Perkins, Ben Petrisor, F. Wesley Schneider, Ray Winninger, James Wyatt Rules Developers: Jeremy Crawford (lead

Weston, Campbell White, Richard Whitters, Daneen Wilkerson, Zuzanna Wuzyk, Lixin Yin Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard, John Grello

Flavors of Fantasy

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Flavors of Fantasy Dungeons & Dragons is a fantasy game, but that broad category encompasses a lot of variety. Many different flavors of fantasy exist in fiction and film. Do you want a horrific

Robert E. Howard and Fritz Leiber? Your choice can have a impact on the flavor of your campaign. Heroic Fantasy Heroic fantasy is the baseline assumed by the D&D rules. The Player’s Handbook describes

Dungeon Master's Guide Credits

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Dungeon Master’s Guide Credits Lead Designers: Christopher Perkins, James Wyatt Designers: Jeremy Crawford, F. Wesley Schneider, Ray Winninger Rules Developers: Jeremy Crawford (lead), Makenzie

Whitters, Kieran Yanner, Zuzanna Wuzyk Cartographers: Francesca Baerald, Dyson Logos, Mike Schley Concept Art Director: Josh Herman Concept Artists: Even Amundsen, Carlo Arellano, Michael Broussard

Goliath Legacy

Species Elemental Evil Player's Companion

mock folk who rely on society’s structures or rules to maintain power. Survival of the Fittest Among goliaths, any adult who can’t contribute to the tribe is expelled. A lone goliath has

the goliath concept of fair play. A permanently injured goliath is still expected to pull his or her weight in the tribe. Typically, such a goliath dies attempting to keep up, or the goliath slips

Character Names

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Character Names Part of your campaign style has to do with naming characters. It’s a good idea to establish some ground rules with your players at the start of a new campaign. In a group consisting

each other in flavor or concept, and they should also match the flavor of your campaign world — so should the nonplayer characters’ names and place names you create. Travok and Kairon don’t want to undertake a quest for Lord Cupcake, visit Gumdrop Island, or take down a crazy wizard named Ray.

Credits

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Credits Lead Designer: Justice Ramin Arman Art Director: Emi Tanji Designers: Dan Dillon, Carl Sibley Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley Lead

Tapia, Brian Valeza, Zuzanna Wuzyk Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji Concept Artists: One Pixel Brush, Noor Rahman Consultants: Tempest Bradford, Ma’at Crook, Dominique

Relationships

Compendium - Sources->Dungeons & Dragons->Strixhaven: A Curriculum of Chaos

benefits—or drawbacks!—based on their social endeavors, infusing their interactions with other students with rules weight, and making this integral part of student life a more significant part of the

adventures. Although these pursuits could be played out entirely with roleplaying, you can use the following Relationship rules to reinforce this aspect of the adventures. These rules provide characters with

Creating a Campaign

Compendium - Sources->Dungeons & Dragons->Quests from the Infinite Staircase

Creating a Campaign The adventures in this book provide play across a broad range of levels. They can be strung together as a complete campaign using the Infinite Staircase to travel between them

high enough level to advance to the next quest. The adventures also present narrative milestones for story-based level advancement (see the Dungeon Master’s Guide). After each adventure, have the

Using These Rules

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

Using These Rules The D&D Basic Rules document has four main parts. Part 1 is about creating a character, providing the rules and guidance you need to make the character you’ll play in the game. It

includes information on the various races, classes, backgrounds, equipment, and other customization options that you can choose from. Many of the rules in part 1 rely on material in parts 2 and 3

Chapter 2: Downtime Revisited

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

pace works fine for many campaigns, some DMs prefer a campaign story with pauses built into it — times when adventurers are not going on adventures. The downtime rules given in this section can be

and go, and royal lines rise and fall over the course of the story that you and the characters tell. Downtime rules also provide ways for characters to spend — or be relieved of — the monetary treasure

Infernal War Machine Combat

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

(Athletics) check, setting the jump’s DC based on the distance between the two vehicles (as well as other factors, as appropriate). Keep it fun and fast-paced, and push the rules aside when they get in the way.

patrols. The rules for infernal war machines in appendix B are meant to help you adjudicate situations that arise during encounters, but combat involving infernal war machines works best with “theater

Game Customization

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

” section in the introduction of the Dungeon Master’s Guide provides some guidance for doing so, based on known player archetypes. To help identify what types of players are in the group, you can ask each

Rules House rules include optional rules, such as those presented in chapter 9 of the Dungeon Master’s Guide, and rules you create. If you plan to use any house rules, session zero is a good time to

Chapter 2: Growing Your Franchise

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

upgrades for a franchise headquarters, and more. This chapter also introduces company positions — a new set of rules for franchise characters granting access to unique, tier-based abilities that can help a

the Acquisitions Incorporated franchise and the rules for running it. Franchise benefits are organized by level tier, and include an ever-expanding business territory, wide ranges of options and

Credits

compendium - Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn

Somerville Rules Developers: Jeremy Crawford (lead), Makenzie De Armas, Ron Lundeen, Ben Petrisor, Patrick Renie Editors: Adrian Ng Di Spaltro (lead), Judy Bauer, Michele Carter, James Wyatt Art

Velinov, Raoul Vitale, Sam White, Rafael Zanchetin Cartographer: Mike Schley Concept Art Director: Josh Herman Concept Artists: Alex Branwyn, Michael Broussard, Daarken, Lake Hurwitz, Titus Lunter

Credits

compendium - Sources->Dungeons & Dragons->The Book of Many Things

Credits Project Lead: Jason Tondro Art Director: Bree Heiss Writers: Makenzie De Armas, Dan Dillon, Patrick Renie, Carl Sibley, Jason Tondro, James Wyatt Rules Developers: Jeremy Crawford

, Craig J Spearing, Brian Valeza, Zuzanna Wuzyk, Jim Zaccaria Concept Art Director: Bree Heiss Concept Artist: Claudio Pozas Consultants: Nivair Gabriel, Basheer Ghouse, Jonathan Tomhave Project

Monsters with Classes

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

Monsters with Classes You can use the rules in chapter 3 of the Player’s Handbook to give class levels to a monster. For example, you can turn an ordinary werewolf into a werewolf with four levels of

, with the following exceptions: The monster doesn’t gain the starting equipment of the added class. For each class level you add, the monster gains one Hit Die of its normal type (based on its size

Character Advancement

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

taking part in a play session. A character reaches 1 checkpoint for each hour an adventure is designed to last. Note that the award is based on the adventure’s projected playing time, rather than the

designed to take 2 hours, the character reaches 3 checkpoints. Playing time might seem like an odd way to measure experience awards, but the concept is in keeping with how a shared campaign is meant to

Foreward

compendium - Sources->Dungeons & Dragons->Princes of the Apocalypse

hard part was deciding how exactly to do that. We faced an important decision early on in creating the concept for this campaign. In addition to the original 1985 adventure, there was a sequel released

updated stats. A simple reprint felt like a disappointing option. The Temple of Elemental Evil is available as an ebook, and the conversion from the first edition rules to fifth edition is fairly

Local Nuisances

Compendium - Sources->Dungeons & Dragons->Planescape: Adventures in the Multiverse->Sigil and the Outlands

hazard native to the Lower Planes. This black, creeping ivy has broad, glossy leaves with razor-sharp stems and thorns. Work crews fight the rapidly growing weed from overrunning the city. Others use

razorvine strategically to deter intruders by letting it grow along estate walls or as carefully cultivated hedges. Rules for razorvine can be found in the Dungeon Master’s Guide.

Speed

Compendium - Sources->Dungeons & Dragons->Lost Mine of Phandelver

Speed A creature’s speed tells you how far it can move on its turn. For more information on speed, see the Basic Rules. All creatures have a walking speed; creatures that have no form of ground-based

Speed

Compendium - Sources->Dungeons & Dragons->Dragons of Stormwreck Isle

Speed A creature’s speed tells you how far it can move on its turn. For more information on speed, see Speed in the Basic Rules. All creatures have a walking speed; those that have no form of ground

-based locomotion have a walking speed of 0 feet. Some of the creatures in this adventure have one or more additional movement modes: Burrow. A creature that has a burrowing speed can use all or part

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