decide improvise are bonds - Search

Golgari Agent

Backgrounds Guildmasters’ Guide to Ravnica

affairs of other guilds is a great way to get squashed like a bug. (Neutral) Bonds d6 Bond 1 I cherish the finger of a family member who was petrified by a

, you are connected to every other member in some way or another. Convinced that the rest of the world is out to get you, you find it easy to form close bonds with your guild mates, and harder to make

Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

a set of beliefs about the nature of life. Simic members’ bonds and flaws derive from their scientific research — including their creation of new life forms, which they can become very

interfere with the conclusions of logic. (Lawful) 6 Superiority. My vast intellect and strength are directed toward increasing my sway over others. (Evil) Bonds d6 Bond

Gruul Anarch

Backgrounds Guildmasters’ Guide to Ravnica

;AAAAAARRRRggggh! [To live is to feel and express the rage burning in your belly.] (Chaotic) 6 Tradition. The Old Ways must be preserved and upheld. (Any) Bonds d6 Bond 1

encounters with members of other guilds are more often violent than friendly, but occasional bonds do form. Roll twice on the Gruul Contacts table (for an ally and a rival) and once on the Non-Gruul

Selesnya Initiate

Backgrounds Guildmasters’ Guide to Ravnica

, empathetic, and generally peaceful — unless roused to action. Their flaws and bonds alike grow naturally from their close ties to the community. Personality Traits d8 Personality Trait

finally know peace. (Any) Bonds d6 Bond 1 I would give my life in the defense of the small enclave where I first encountered Mat’Selesnya. 2 I love beasts and

Orzhov Representative

Backgrounds Guildmasters’ Guide to Ravnica

the flesh as long as possible, and as a spirit afterward. (Any) Bonds d6 Bond 1 The unbearable weight of my debt has driven me to desperation. 2 I’m duty-bound

Orzhov contact; you can decide if the contact is an ally or a rival. 8 My childhood friend is now a Rakdos torturer. We still meet for drinks occasionally. 9 I have the key to a vault where

Azorius Functionary

Backgrounds Guildmasters’ Guide to Ravnica

is an excellent deterrent for other criminals. (Evil) Bonds d6 Bond 1 I am beholden to an Azorius arrester who captured the criminal who killed my parents, saving me from

complimented me on my work. Non-Azorius Contacts d10 Contact 1 Roll an additional Azorius contact; you can decide if the contact is an ally or a rival. 2 The person who

Boros Legionnaire

Backgrounds Guildmasters’ Guide to Ravnica

;Society functions only if people do their duty and respect the chain of command. (Lawful) 6 Conviction. Anything worth doing is worth doing with your whole heart. (Lawful) Bonds

; you can decide if the contact is an ally or a rival. 3 I showed mercy to an injured, now-grateful Dimir spy. 4 I suspect someone I know is a Golgari assassin, but I can’t prove it

Rakdos Cultist

Backgrounds Guildmasters’ Guide to Ravnica

remade, with no guilds and no hierarchies. (Chaotic) 6 Spectacle. People are inspired by the greatness they see in art. (Any) Bonds d6 Bond 1 I have belonged to

Orzhov oligarch has taken an interest in my career, like a patron of the arts. 8 Roll an additional Rakdos contact; you can decide if the contact is an ally or a rival. 9 A Selesnya healer

Izzet Engineer

Backgrounds Guildmasters’ Guide to Ravnica

. (Chaotic) 6 Power. Someday I’ll find or create the magic that will make me the most powerful being in Ravnica. (Evil) Bonds d6 Bond 1 I have dedicated my life

me with conflicted feelings. 5 I helped a minor Gruul chieftain acquire an Izzet weapon. 6 Roll an additional Izzet contact; you can decide if the contact is an ally or a rival. 7

The Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

handler might be able to obtain it for them, provided the equipment is readily available and not too expensive. If you decide to use the Golden Vault as the characters’ patron organization, work with

the players to determine what heroic or impressive deeds their characters performed in their backstories to gain the attention of the Golden Vault. Then improvise a roleplaying scene in which the characters meet their Golden Vault handler.

Character Options

Compendium - Sources->Dungeons & Dragons->Dragon of Icespire Peak

characters were before becoming adventurers, and also include roleplaying hooks in the form of ideals, bonds, and flaws — things that you, as the DM, want to know. For example, if a player chooses the

Criminal background, one of the options for the character’s bond is, “I’m trying to pay off an old debt I owe to a generous benefactor.” If that’s the character’s bond, work with the player to decide who that generous benefactor is.

Adventure Structure

Compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

the characters do something unexpected, improvise as best you can while gently steering them toward their main goal. Each chapter ends with a cliffhanger to set the stage for the next session, assuming

discover the true cost of saving their world and must decide the fate of Xaryxis and the Xaryxian Empire before making the long voyage home. Planetary destruction is a major theme of this adventure, and

Preparing for the Play

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

have time to memorize all the lines, we’ll need to improvise.” Tossing the script over one shoulder, he says, “Worry not! I’ll feed you lines from the wings if you get stuck!” Have each player roll

once on the Performers’ Roles table to determine what role Stagefright assigns to that player’s character. If two players get the same result, Stagefright lets them decide which one of them takes that

Echoes across the Worlds

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

Dragon Echo Characteristics table to help you decide what aspects of a dragon’s echo are similar to the dragon you know and which are different. You can then use the other tables in this chapter

(including the Dragon Appearance, Dragon Mannerisms, Dragon Bonds, and Dragon Flaws and Secrets tables), as well as the tables of personality traits and ideals in chapter 5, to help you elaborate the

Yuan-ti Pureblood Legacy

Species Volo's Guide to Monsters

. (Evil) Yuan-ti Bonds d6 Bond 1 I will see our empire rise again and, in so doing, win the favor of the serpent gods. 2 I am enamored with the culture and trappings of

another society and wish to be part of it. 3 I respect my superiors and obey them without question. My fate is theirs to decide. 4 I have an interest in an unsuitable mate, which I can&rsquo

Roleplaying a Yuan-ti

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

emulate. (Any) 6 Power. Everything I choose to do is determined by whether it will make me smarter and stronger. (Evil) Yuan-ti Bonds d6 Bond 1 I will see our empire rise again and, in so doing, win

to decide. 4 I have an interest in an unsuitable mate, which I can’t suppress. 5 I respect and emulate a great hero or ancestor. 6 An enemy destroyed something of value to me, and I will find where it

Character and Party Creation

Compendium - Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything

adventurers and also include roleplaying hooks in the form of ideals, bonds, and flaws—things you ought to know. For example, if a player chooses the criminal background, one of the options for the

character’s bond is, “I’m trying to pay off an old debt I owe to a generous benefactor.” If that’s the character’s bond, you should work with the player to decide who that generous benefactor is and build

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

Introduction

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

and referee. The DM creates adventures for the characters, who navigate its hazards and decide which paths to explore. The DM might describe the entrance to Castle Ravenloft, and the players decide what

way? Or cast a spell to carry them over the chasm? Then the DM determines the results of the adventurers’ actions and narrates what they experience. Because the DM can improvise to react to anything

Introduction

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

storyteller and referee. The DM creates adventures for the characters, who navigate its hazards and decide which paths to explore. The DM might describe the entrance to Castle Ravenloft, and the players decide

gives way? Or cast a spell to carry them over the chasm? Then the DM determines the results of the adventurers’ actions and narrates what they experience. Because the DM can improvise to react to

Event-Based Adventures

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

decide that your vampire villain murders several knights. By slipping past locked doors in gaseous form, the vampire is able to make the deaths appear natural at first, but it soon becomes clear that a

table, indicating that the party’s goal is to secure aid from a ruler or council. You decide to connect that to the leadership of the order targeted by your vampire villain. Maybe the order’s leaders

Guild Membership

Compendium - Sources->Dungeons & Dragons->Guildmasters' Guide to Ravnica

suggested characteristics (personality traits, ideals, bonds, and flaws). Each guild entry also provides personal contacts; suggestions for your alignment, race, and class; and a list of spells that you can

you. Bonds and Contacts As a benefit of your guild membership, you have contacts both inside and outside the guild. Contacts are useful resources in the urban environment of Ravnica, where a friendly

Tips for New Dungeon Masters

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

, followed by a die expression in parentheses, like this: 10 (3d6). You decide whether to use the average or roll the dice. Using average damage speeds up play, but it might feel less exciting, and players

does it reveal everything that a creature might say or do. You’re expected to improvise and bring creatures to life as best you can. For example, the adventure describes Mister Light (one of the

Secret Basement

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

parts, all on the small side. The second table holds a tiefling restrained with leather straps. She struggles against the bonds with a wild look on her face. Standing near the tiefling’s table is an

dead. If the characters are quick to accept Hoobur’s offer (even just to avoid a fight they know they can’t yet win), you get to decide how the freed Wizzy and Talanatha feel about that. You can also

Leaving Elturel

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

players might come up with. If they do, be prepared to improvise. Raw materials for putting together such equipment can be found in the shops and warehouses of Elturel. Once the characters have

collected the necessary resources, you can decide which ability checks might come into play as they create their improvised equipment — and to determine how well that equipment works. Use the following

Chase Complications

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

ones in this section. Otherwise, improvise as you play. Complications can be barriers to progress or opportunities for mayhem. Characters being chased through a forest by bugbears might spot a wasp nest

pursuing them. Roll initiative for the new arrivals, and run both chases simultaneously. In another scenario, the fleeing thief might run into the waiting arms of his accomplices. The outnumbered characters might decide to flee with the thieves in pursuit.

Church of the Silver Flame

Compendium - Sources->Dungeons & Dragons->Eberron: Rising from the Last War

the story of Tira Miron. Centuries ago, one of the ancient and powerful demons chained within the world broke free from its bonds, unleashing terrible suffering on the people of Thrane. The nation

politics means that some come to the faith seeking power rather than purely to do good. In creating a follower of the Silver Flame, decide whether you are bound to the church or simply inspired by its

Roleplaying a Hag

Compendium - Sources->Dungeons & Dragons->Volo's Guide to Monsters

, uncomfortable, and risky; at any point the hag might lose her temper and decide to pull out someone’s fingernails with her iron teeth. Hags look upon younger creatures from the perspective of a

appearance and my cruel heart. (Evil) Hag Bonds d8 Bond 1 I hate a certain mortal family and steal one of their children each generation for my own purposes. 2 I am involved in a centuries-long feud

Dragon Characters

Compendium - Sources->Dungeons & Dragons->Fizban's Treasury of Dragons

an impression of tremendous boredom 20 Deeply suspicious, treating all Humanoids encountered as probable agents of a rival dragon Dragon Bonds d10 Bond 1 I treasure one

. Consider these examples: Change Shape. You can decide that a dragon acquires this action at a younger age than usual, particularly if you want to feature a dragon in Humanoid form in your campaign. The

Skill Variants

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

feature, the player defines aspects of his or her background to which the benefit applies. Continuing the noble example, the player might decide to apply Expertise to “situations where courtly manners

different characters’ traits — positive and negative—come into play with about the same frequency. Don’t let a player get away with a positive trait that always seems to apply and a negative trait that never does. At your discretion, you can also tie a character’s ideals, bonds, and flaws to this system.

Staff

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

entire group. Those hirelings could all shave their heads zealously, be brawny but absentminded, play various musical instruments, use colorful oaths and exclamations, and so on. Group ideals, bonds

, though the DM can decide otherwise. If a mobile franchise headquarters requires more crew than is granted by the franchise’s rank, the characters must hire the remainder (typically at the skilled

Possible Visions

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

Possible Visions The following are the most relevant visions the characters can receive as answers to their questions. Elaborate upon or modify these as needed, and improvise visions for other

King As much as the characters learned from fighting the Pudding King in Blingdenstone, they might decide to seek more knowledge of the mad svirfneblin or his fiendish master, Juiblex the Faceless

Wedding Itinerary

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

damage a creature. (You can decide whether to allow Tannus to fight to protect himself or others, but should encourage the player running him to think about creative nonattack ways to influence the fight

(Sleight of Hand) check contested by Gorat’s Wisdom (Perception) check. Gorat has disadvantage on the check from the distraction of the festivities — or, if controlled by a character, he could decide to

Attack on Goldenfields

Compendium - Sources->Dungeons & Dragons->Storm King's Thunder

appear in appendix D. How the players run their NPCs during the battle is up to them, but encourage the players to review their NPCs’ ideals, bonds, and flaws. All of these NPCs are familiar with

goblins that are still inside the compound, and they flee back toward the wall. During this time, inexplicably, Lob and Ogg decide to climb over the wall and enter the compound rather than flee, while the

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