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Inheritor

Backgrounds Sword Coast Adventurer's Guide

your adventuring career, you can decide whether to tell your companions about your inheritance right away. Rather than attracting attention to yourself, you might want to keep your inheritance a secret

. 7 I misuse long words in an attempt to sound smarter. 8 I get bored easily. When am I going to get on with my destiny? d6 Ideal 1 Respect. People deserve to be treated

Preparing for the Play

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

have time to memorize all the lines, we’ll need to improvise.” Tossing the script over one shoulder, he says, “Worry not! I’ll feed you lines from the wings if you get stuck!” Have each player roll

once on the Performers’ Roles table to determine what role Stagefright assigns to that player’s character. If two players get the same result, Stagefright lets them decide which one of them takes that

Izzet Engineer

Backgrounds Guildmasters’ Guide to Ravnica

d6 Flaw 1 If there’s a plan, I’ll probably forget it. If I don’t forget it, I’ll probably ignore it. 2 I get bored easily, and if nothing is happening I&rsquo

me with conflicted feelings. 5 I helped a minor Gruul chieftain acquire an Izzet weapon. 6 Roll an additional Izzet contact; you can decide if the contact is an ally or a rival. 7

Roleplaying Ivan

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

pleasure.” Ideal. “I never want to be bored or alone again.” Bond. “My possessions are mine to do with as I please. I decide their fate.” Flaw. “I break whatever bores me. At least a broken toy is unique.”

Kenku Legacy

Species Volo's Guide to Monsters

. The kenku lack the talent to improvise or alter a plan, but a wise Master sets multiple plans in motion at once, confident that underlings can follow orders to the letter. For this reason, many

tapping a stone to show how bored he is. He plays with his dagger and studies the Lords’ Alliance agent sitting at the bar.” Creating a vocabulary of noises for the other players to decode

The Golden Vault

Compendium - Sources->Dungeons & Dragons->Keys from the Golden Vault

handler might be able to obtain it for them, provided the equipment is readily available and not too expensive. If you decide to use the Golden Vault as the characters’ patron organization, work with

the players to determine what heroic or impressive deeds their characters performed in their backstories to gain the attention of the Golden Vault. Then improvise a roleplaying scene in which the characters meet their Golden Vault handler.

Adventure Structure

Compendium - Sources->Dungeons & Dragons->Spelljammer: Adventures in Space->Light of Xaryxis

the characters do something unexpected, improvise as best you can while gently steering them toward their main goal. Each chapter ends with a cliffhanger to set the stage for the next session, assuming

discover the true cost of saving their world and must decide the fate of Xaryxis and the Xaryxian Empire before making the long voyage home. Planetary destruction is a major theme of this adventure, and

Designing Dungeon Rooms

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

and exit difficult, just to be safe. Guard Posts Sapient, social denizens of the dungeon generally guard the entrances to their shared spaces. A guard post may just be a room with a table where bored

sentries play a dice game, or it might be a pair of iron golems backed up by spellcasters hiding in balconies overhead. When you design a guard post, decide how many guards are on duty, note their

Encounters

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

the DM, you decide how much to tell the players and when. All the information the players need to make choices comes from you. Within the rules of the game and the limits of the characters’ knowledge

characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s actions. In combat, everyone takes

Encounters

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

sections offer more detailed information on how an encounter typically unfolds, in three steps. Step 1: Describe the Situation As the DM, you decide how much to tell the players and when. All the

bookshelf. Outside combat, the characters don’t need to take turns, but you need to give each player a chance to tell you what their character is doing so you can decide how to resolve everyone’s

Introduction

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

and referee. The DM creates adventures for the characters, who navigate its hazards and decide which paths to explore. The DM might describe the entrance to Castle Ravenloft, and the players decide what

way? Or cast a spell to carry them over the chasm? Then the DM determines the results of the adventurers’ actions and narrates what they experience. Because the DM can improvise to react to anything

Introduction

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

storyteller and referee. The DM creates adventures for the characters, who navigate its hazards and decide which paths to explore. The DM might describe the entrance to Castle Ravenloft, and the players decide

gives way? Or cast a spell to carry them over the chasm? Then the DM determines the results of the adventurers’ actions and narrates what they experience. Because the DM can improvise to react to

Leaving Elturel

Compendium - Sources->Dungeons & Dragons->Baldur's Gate: Descent into Avernus

players might come up with. If they do, be prepared to improvise. Raw materials for putting together such equipment can be found in the shops and warehouses of Elturel. Once the characters have

collected the necessary resources, you can decide which ability checks might come into play as they create their improvised equipment — and to determine how well that equipment works. Use the following

Tips for New Dungeon Masters

Compendium - Sources->Dungeons & Dragons->The Wild Beyond the Witchlight

, followed by a die expression in parentheses, like this: 10 (3d6). You decide whether to use the average or roll the dice. Using average damage speeds up play, but it might feel less exciting, and players

does it reveal everything that a creature might say or do. You’re expected to improvise and bring creatures to life as best you can. For example, the adventure describes Mister Light (one of the

Chase Complications

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

ones in this section. Otherwise, improvise as you play. Complications can be barriers to progress or opportunities for mayhem. Characters being chased through a forest by bugbears might spot a wasp nest

pursuing them. Roll initiative for the new arrivals, and run both chases simultaneously. In another scenario, the fleeing thief might run into the waiting arms of his accomplices. The outnumbered characters might decide to flee with the thieves in pursuit.

Nautiloid Down

Compendium - Sources->Dungeons & Dragons->Icewind Dale: Rime of the Frostmaiden

. Beyond such base hunger, the gnome squidlings don’t know what they want. They have the reasoning and emotional control of toddlers blended with the guile of bored housecats. Rin, Rix, and Zglarrd make

perfected yet, such that nontelepathic creatures have been known to pick up the signal as well. You get to decide whether a nontelepathic creature can sense the signal or not. The psionic transmitter

Phandalin Quests

Compendium - Sources->Dungeons & Dragons->Dragon of Icespire Peak

fighting the monster is always an option, characters might decide to negotiate with the manticore instead. Be flexible, particularly when dealing with intelligent monsters. If every encounter becomes a

fight to the death, your players might get bored and miss out on some fun roleplaying opportunities. Whenever possible, reward players for being clever. For example, characters who disturb the ankhegs

Jergal

Compendium - Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide

, and strife. Yet with the passing of time, he became bored with his position. Then one day three mortals, each a powerful adventurer, met Jergal in the lands of the dead, determined to destroy him

participate for part of the prize. Bane, Bhaal, and Myrkul again fell to fighting, as it was obvious their sport had been ruined, but again Jergal intervened. “Why don’t you allow Lady Luck to decide

Possible Visions

Compendium - Sources->Dungeons & Dragons->Out of the Abyss

Possible Visions The following are the most relevant visions the characters can receive as answers to their questions. Elaborate upon or modify these as needed, and improvise visions for other

King As much as the characters learned from fighting the Pudding King in Blingdenstone, they might decide to seek more knowledge of the mad svirfneblin or his fiendish master, Juiblex the Faceless

Background

Compendium - Sources->Dungeons & Dragons->Xanathar's Guide to Everything

Background Roll on the appropriate table in this section as soon as you decide your background, or at any later time if you choose. If a background includes a special decision point, such as a folk

home and found a place in a thieves’ guild or some other criminal organization. 6 I was always bored, so I turned to crime to pass the time and discovered I was quite good at it. Entertainer d6 I

Wedding Itinerary

Compendium - Sources->Dungeons & Dragons->Acquisitions Incorporated

damage a creature. (You can decide whether to allow Tannus to fight to protect himself or others, but should encourage the player running him to think about creative nonattack ways to influence the fight

(Sleight of Hand) check contested by Gorat’s Wisdom (Perception) check. Gorat has disadvantage on the check from the distraction of the festivities — or, if controlled by a character, he could decide to

Haven Locations

Compendium - Sources->Dungeons & Dragons->Candlekeep Mysteries

-diameter hole bored into it. The wizards, like the dragon, are life-sized. One of them appears to hold a 1-foot-long black wand. This wand is not part of the fresco; it’s an actual iron wand embedded in the

the collection, you can decide what it might be worth, but the characters should earn at least 50,000 gp for the lot (see also “A Little Light Reading” below). Such a reward might take the form of one

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