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Simic Scientist

Backgrounds Guildmasters’ Guide to Ravnica

Imagine a perfect world: one in which nature and civilization exist in harmony, adapted to each other; one in which life is shaped to match its environment and the environment is shaped to match life

My research builds on my parents’ work and takes it in interesting new directions. 2 If a serious problem confounds me, I can count on my mentor to provide clarity of thought. 3 A

Satyr Legacy

Species Mythic Odysseys of Theros

civilization with the freedom of wild beasts. Generally, they look similar to humans, with a range of builds and features. But their goatlike horns, pointed ears, and furred lower bodies sharply distinguish

jolly dance. 4 Sometimes talking to a plant really helps. 5 If stumped, I smoke a pipe. And if I’m going to smoke a pipe, it’s going to be a splendid pipe. 6 I imagine

Improvising Answers

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

...” It’s based on the idea that an actor takes whatever the other actors give and builds on that. A similar principle applies as you run sessions for your players. As often as possible, weave what the

alternative. For example, imagine the characters are searching for a lich’s lair. A player asks you if there’s a mages’ guild operating in a nearby city, hoping to find records that mention the lich. This

Episodes and Serials

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

Episodes and Serials There are two basic ways to think about how adventures fit together in your campaign: as distinct episodes or as a serialized story. If you’re not sure which type of campaign to

will come next as the campaign builds toward a satisfying conclusion. Linking Adventures. In a serialized campaign, make connections between the end of one adventure and the start of the next to help it

Adventures

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

? How does this threat connect to the Darklord seeking their desires? Consider who might need the characters’ aid and might guide them to deeper mysteries. Detail Key Locations. Briefly describe distinct

Connections table provides examples of such connections. Interactions with the Darklord. Imagine situations that allow the players’ characters and the Darklord to socialize without the encounter

Horror Characteristics

Compendium - Sources->Dungeons & Dragons->Van Richten’s Guide to Ravenloft

Horror Characteristics Characters in a horror-focused campaign might have distinct motivations and characteristics. Use the following tables to supplement your background’s suggested characteristics

creature or event. 2 A signature piece of clothing or distinct weapon serves as an emblem of who I am. 3 I never accept that I’m out of my depth. 4 I must know the answer to every secret

Satyr

Compendium - Sources->Dungeons & Dragons->Mythic Odysseys of Theros

humanoid civilization with the freedom of wild beasts. Generally, they look similar to humans, with a range of builds and features. But their goatlike horns, pointed ears, and furred lower bodies

. 5 If stumped, I smoke a pipe. And if I’m going to smoke a pipe, it’s going to be a splendid pipe. 6 I imagine that my clothes are my glorious soul on display for all the world to behold

Personal Characteristics

Compendium - Sources->Dungeons & Dragons->Player's Handbook (2014)

or phrases, tics and habitual gestures, vices and pet peeves, and whatever else you can imagine. Each background presented in this chapter includes suggested characteristics that you can use to spark

of? What are your vices? TIKA AND ARTEMIS: PERSONAL CHARACTERISTICS Tika and Artemis have distinct personality traits. Tika Waylan dislikes boastfulness and has a fear of heights resulting from a

Roleplaying

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)

laugh or feel emotionally engaged and to incorporate those things into your roleplaying. Being the NPC Imagine how a character or monster you bring to life would react to the adventurers. Consider what it

to each other. If possible, let one NPC do most of the talking, but if multiple NPCs need to talk, give them distinct voices so the players know who’s who. Using Your Face and Arms Use your facial

Outer Planes

Compendium - Sources->Dungeons & Dragons->Dungeon Master’s Guide

in Limbo. As with the Elemental Planes, one can imagine the perceptible part of the Outer Planes as a border region, while extensive spiritual regions lie beyond ordinary sensory experience. Even in

. Coupleofkooks Layers of the Outer Planes Most Outer Planes include a number of distinct realms. These environments are often imagined as a stack of related parts of the same plane, so travelers refer to

Running Combat

Compendium - Sources->Dungeons & Dragons->D&D Beyond Basic Rules

Running Combat This section builds on the combat rules in Playing the Game and offers tips for keeping the game running smoothly when a fight breaks out. Rolling Initiative Combat starts when—and

monsters. If you aren’t using miniatures or other visual aids, one way to track your monsters is to assign them unique features. For example, imagine that you’re running an encounter with three Ogres

Alignment

Compendium - Sources->Dungeons & Dragons->Basic Rules (2014)

, evil, or neutral), and the other describes attitudes toward society and order (lawful, chaotic, or neutral). Thus, nine distinct alignments define the possible combinations. These brief summaries of the

character’s favorite words or phrases, tics and habitual gestures, vices and pet peeves, and whatever else you can imagine. Each background presented later in this chapter includes suggested

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