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Returning 35 results for 'monsters some with only art from for lead'.
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monsters some with only art from for learn
Monsters
Fizban's Treasury of Dragons
, stinking cloudDraconians born from the eggs of bronze, green, and emerald dragons have some ability to wield magic. They often lead small groups of draconian foot soldiers, using their magic to snipe
bipedal monsters born from dragon eggs that have been corrupted or warped by powerful magic. Most often, this corruption is a deliberate act, the work of an aspiring tyrant seeking to transform stolen eggs
Monsters
Mordenkainen Presents: Monsters of the Multiverse
appearance and attraction to ruins lead sages to believe they were created through magic to serve as guardians for some lost empire. When that empire fell ages ago, girallons turned feral and spread
out across the world.
Numerous creatures have tried to tame, subjugate, or cooperate with the monsters. For instance, some forest-dwelling peoples capture girallons and train them to serve as sentinels
Monsters
Dragonlance: Shadow of the Dragon Queen
exhale noxious fumes resembling those of their dragon progenitors. Auraks are masterminds and strategists that serve as commanders in the Dragon Armies. They often lead contingents of less powerful
draconians. When slain, aurak draconians unleash their inherent magic in a deadly burst of lightning.
Draconians
Draconians are bipedal monsters born from metallic dragon eggs that have been
Monsters
Fizban's Treasury of Dragons
horns and spines shift slightly with the dragons’ moods, bobbing in amusement or flaring with anger.
Art of War
The warlike sapphire dragons devise strategies and ambushes based on their
seeks adventurers to lead into battle against the mind flayer;mind flayers that usurped the dragon’s lair.
4
Powerful infernal creatures have opened a portal in the middle of a city square
Monsters
Fizban's Treasury of Dragons
the dragons’ moods, bobbing in amusement or flaring with anger.
Art of War
The warlike sapphire dragons devise strategies and ambushes based on their ability to maneuver underground. A
ancient pact to advise a monarchy on matters of defense—until someone bests the dragon’s security measures.
3
A sapphire dragon seeks adventurers to lead into battle against the mind
Monsters
Fizban's Treasury of Dragons
flaring with anger.
Art of War
The warlike sapphire dragons devise strategies and ambushes based on their ability to maneuver underground. A sapphire dragon often refrains from striking immediately
defense—until someone bests the dragon’s security measures.
3
A sapphire dragon seeks adventurers to lead into battle against the mind flayer;mind flayers that usurped the dragon
Monsters
Fizban's Treasury of Dragons
while the dragons live. These levitating horns and spines shift slightly with the dragons’ moods, bobbing in amusement or flaring with anger.
Art of War
The warlike sapphire dragons devise
measures.
3
A sapphire dragon seeks adventurers to lead into battle against the mind flayer;mind flayers that usurped the dragon’s lair.
4
Powerful infernal creatures have opened a
Backgrounds
Guildmasters’ Guide to Ravnica
standard circus-style acrobatics with fire, wrought-iron spikes and hooks, and monsters. You can roll a d8 or choose from the options in the Performance Options table to determine your preferred
throw my weight around to make sure I get my way.
8
I enjoy breaking delicate works of art. And fingers, which are sort of the same.
Ideals
d6
Ideal
1
Guild. My
Adult Brass Dragon
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Monsters
Basic Rules (2014)
;s lair. The tracks lead to safe shelters and hidden water sources, while also leading away from areas that the dragon prefers to remain undisturbed.
Images of Large or smaller monsters haunt the
Ancient Brass Dragon
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Monsters
Basic Rules (2014)
appear in the sand within 6 miles of the dragon’s lair. The tracks lead to safe shelters and hidden water sources, while also leading away from areas that the dragon prefers to remain undisturbed
.
Images of Large or smaller monsters haunt the desert sands within 1 mile of the dragon’s lair. These illusions move and appear real, although they can do no harm. A creature that examines an
Backgrounds
Guildmasters’ Guide to Ravnica
interested in taking notes on monstrous anatomy than in fighting monsters.
3
Every social situation I’m in seems to lead to my asking rude personal questions.
4
I’m supremely
advancing civilization, nature needs some help from biomancers and terraformers. If, along the way, you happen to create super-soldiers and mutant monsters that can bolster the combine’s defenses
Hobgoblin
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Species
Volo's Guide to Monsters
appreciation or patience for art. They leave little space for joy or leisure in their lives, and thus have no reserves of faith to call upon when in dire straits.
Implacable Gods
Hobgoblins revere two
a force numbers just twenty. One banner might have four warriors mounted on worgs led by a fist, while a fist in another banner of the same legion might lead ten mounted warriors. If any rank doesn
Compendium
- Sources->Dungeons & Dragons->Descent into the Lost Caverns of Tsojcanth
Credits Lead Designer: Justice Ramin Arman
Designer: Dan Dillon
Rules Developer: Ron Lundeen
Art Director: Fury Galluzzi
Lead Editor: Judy Bauer
Editor: Hannah Rose
Graphic Designer
Portraits: Fay Dalton
Consultants: James Mendez-Hodes, Pam Punzalan
Game Architects: Jeremy Crawford, Christopher Perkins
Studio Art Director: Josh Herman
Senior Producer: Dan Tovar
Producers
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
), Makenzie De Armas, Ben Petrisor
Editors: Janica Carter (lead), Judy Bauer, Adrian Ng, F. Wesley Schneider
Playtest Analysts: Ron Lundeen (lead), Dan Dillon, Ben Petrisor, Patrick Renie
Art
Player’s Handbook Credits Lead Designer: Jeremy Crawford
Designers: Christopher Perkins, Ben Petrisor, F. Wesley Schneider, Ray Winninger, James Wyatt
Rules Developers: Jeremy Crawford (lead
Compendium
- Sources->Dungeons & Dragons->Quests from the Infinite Staircase
Credits Lead Designer: Justice Ramin Arman
Art Director: Emi Tanji
Designers: Dan Dillon, Carl Sibley
Rules Developers: Jeremy Crawford, Makenzie De Armas, Ron Lundeen, Carl Sibley
Lead
Tapia, Brian Valeza, Zuzanna Wuzyk
Concept Art Directors: Josh Herman, Kate Irwin, Emi Tanji
Concept Artists: One Pixel Brush, Noor Rahman
Consultants: Tempest Bradford, Ma’at Crook, Dominique
Compendium
- Sources->Dungeons & Dragons->D&D Beyond Basic Rules
De Armas, Ben Petrisor
Editors: Adrian Ng (lead), Judy Bauer, Janica Carter
Playtest Analysts: Ron Lundeen (lead), Dan Dillon, Patrick Renie
Art Directors: Kate Irwin (lead), Josh Herman
Dungeon Master’s Guide Credits Lead Designers: Christopher Perkins, James Wyatt
Designers: Jeremy Crawford, F. Wesley Schneider, Ray Winninger
Rules Developers: Jeremy Crawford (lead), Makenzie
Compendium
- Sources->Dungeons & Dragons->Tomb of Annihilation
, Richard Whitters
Lead Rules Developer: Jeremy Crawford
Managing Editors: Jeremy Crawford, Christopher Perkins
Editors: Michele Carter, Scott Fitzgerald Gray
Editorial Assistance: Matt Sernett
Art Director: Kate Irwin
Additional Art Direction: Shauna Narciso, Richard Whitters
Graphic Designer: Emi Tanji
Cover Illustrator: Ben Oliver
Interior Illustrators: Mark Behm, Eric Belisle
compendium
- Sources->Dungeons & Dragons->Netheril’s Fall: Tales of Terror, Treasure, and Time Travel
, Sadie Lowry, James Wyatt
Art Director: Josh Herman
Graphic Designers: Trystan Falcone (lead), Matt Cole
Cover Illustrator: Olivier Bernard
Interior Illustrators: Luca Bancone, Adam Cook, Álvaro
Credits
Credits Lead Designer: Amanda Hamon
Designers: Ron Lundeen, David Somerville
Rules Developer: Makenzie De Armas
Editors: Adrian Ng Di Spaltro (lead), Ayla Bondora, Amanda Frechin
compendium
- Sources->Dungeons & Dragons->Out of the Abyss
is home to some of the D&D game’s most iconic monsters, as well as cultures both alien and wondrous.
To bring the Underdark to life, Richard Whitters and his concept artists created amazing imagery
tied to various Underdark races: kuo-toa waymarkers, illithid “brain urns” and domiciles, duergar architecture, drow costuming, and much, much more. Their concept art was featured a “story bible” that
Compendium
- Sources->Dungeons & Dragons->Storm King's Thunder
Credits Lead Designer: Christopher Perkins
Story Design: Jenna Helland, Adam Lee, Christopher Perkins, Richard Whitters
Additional Design: Mike Mearls
Managing Editor: Jeremy Crawford
Editors: Kim Mohan, Michele Carter
Editorial Assistance: Matt Sernett, Chris Dupuis, Ben Petrisor, Sean K Reynolds, Stan!
Story Consultant: R.A. Salvatore
D&D Lead Designers: Mike Mearls, Jeremy
compendium
- Sources->Dungeons & Dragons->Forgotten Realms: Heroes of Faerûn
Somerville
Rules Developers: Jeremy Crawford (lead), Makenzie De Armas, Ron Lundeen, Ben Petrisor, Patrick Renie
Editors: Adrian Ng Di Spaltro (lead), Judy Bauer, Michele Carter, James Wyatt
Art
Credits
Lead Designer: Jason Tondro
Designers: Bill Benham, Makenzie De Armas, Dan Dillon, Ron Lundeen, Ben Petrisor, Patrick Renie, Shahreena Shahrani, Carl Sibley, Chris S. Sims, David
Compendium
- Sources->Dungeons & Dragons->Tasha’s Cauldron of Everything
Customizing the Puzzle You can replace the monsters in the artwork with distinctive objects, members of obvious professions, and anything else that might logically be in a group. Then, follow the
letter-counting method detailed in this puzzle to determine how many subjects should feature in each piece of art.
compendium
- Sources->Dungeons & Dragons->Astarion's Book of Hungers
Spaltro (lead), Sadie Lowry, F. Wesley Schneider, Hans Ziegler
Art Director: Josh Herman
Graphic Designers: Trystan Falcone (lead), Matt Cole
Cover Illustrator: Magali Villeneuve
Interior
Credits
Lead Designer: Amanda Hamon
Designers: Ron Lundeen, Stephen Rooney, Sarra Scherb
Rules Developers: Patrick Renie (lead), Makenzie De Armas, Ben Petrisor
Editors: Adrian Ng Di
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
Treasure Themes Monsters have treasure preferences, as explained in the Monster Manual. These preferences are expressed as themes, which helps you determine what treasures are found in monsters
battle Implements Coins, trade bars, or trade goods plus magic items that focus on utility Relics Art objects plus magic items that have religious origins or purposes CoupleofKooks
Compendium
- Sources->Dungeons & Dragons->Tales from the Yawning Portal
Credits Compilers: Kim Mohan, Mike Mearls
Lead Rules Developer: Jeremy Crawford
Fifth Edition Conversion: Chris Sims, Sean K Reynolds, Jennifer Clarke Wilkes
Managing Editor: Jeremy Crawford
Editors: Kim Mohan, Michele Carter
Editorial Assistance: Chris Dupuis, Ben Petrisor, Matt Sernett
Art Director: Kate Irwin
Additional Art Direction: Shauna Narciso, Richard Whitters
Graphic
Compendium
- Sources->Dungeons & Dragons->Mythic Odysseys of Theros
people congregate. Many agoras are surrounded by stoas, covered walkways that lead to other areas of the settlement. People in the agora might retreat beneath the awnings for privacy and shade, while
others stand on the roofs of the porticos to shout messages to the assembled crowds. In addition to activities involving art, commerce, politics, and religion, people come to the agora for socializing
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
stones, gems, and jewels that can be found as treasure. Art Objects. Idols cast of solid gold, necklaces studded with precious stones, paintings of ancient kings, bejeweled dishes—art objects include all
these and more. See the “Art Objects” section for types of decorative and valuable artworks that can be found as treasure. Magic Items. Types of magic items include armor, potions, scrolls, rings
Compendium
- Sources->Dungeons & Dragons->Sword Coast Adventurer’s Guide
Rogues There are those whose abilities lie not with sword or the Art, but with quiet motion, dexterous action, and stealth. Such talents often lead to illegal endeavors, which plague most major
cities, but can be placed to good use in dealing with dangerous monsters and lost treasure. Most large cities in the Realms have a number of thieves’ dens that compete with one another. A few places, such
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
like to use music, art, or recorded sound effects to help set the mood, and many players and DMs alike adopt different voices for the various adventurers, monsters, and other characters they play in the
them, presenting the basic scope of options that present themselves (how many doors lead out of a room, what’s on a table, who’s in the tavern, and so on).
The players describe what they want to do
Compendium
- Sources->Dungeons & Dragons->Infernal Machine Rebuild
Nolzur Fated to one day become a spellcaster of great renown, Nolzur (a neutral male human master thief) has not yet begun to hone his magical art in this time, but has already started a
specialization in alchemy that will one day lead to the crafting of such items as his famed Nolzur’s marvelous pigments. In this age, Nolzur most recently studied with Thessalar, learning secrets of alchemy and
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide (2014)
that monster’s challenge rating. When rolling to determine a treasure hoard belonging to a large group of monsters, use the challenge rating of the monster that leads the group. If the hoard belongs
average level. Every treasure hoard contains a random number of coins, as shown at the top of each table. Roll a d100 and consult the table to determine how many gemstones or art objects the hoard contains
Compendium
- Sources->Dungeons & Dragons->Player's Handbook (2014)
half their cost when sold in a market. Weapons and armor used by monsters are rarely in good enough condition to sell. Magic Items. Selling magic items is problematic. Finding someone to buy a potion or
purchase. The value of magic is far beyond simple gold and should always be treated as such. Gems, Jewelry, and Art Objects. These items retain their full value in the marketplace, and you can either
Compendium
- Sources->Dungeons & Dragons->Quests from the Infinite Staircase
The Iron Shadow The portals of the Infinite Staircase often lead to places that exhibit a penchant for creativity—sites where art, invention, philosophy, and magic flourish. Wherever there’s a story
Orc
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Species
Volo's Guide to Monsters
. It is also not unheard of for an exceptionally strong and charismatic evil human to lead stray orcs that no longer have a tribe to call their own.
When Tribes Team Up
An orc tribe typically has no
battle skills.
3
I always appear like I am about to kill everyone around me.
4
I love a good brawl.
5
I drink the blood of monsters to consume their power.
6
I chant orcish war
Compendium
- Sources->Dungeons & Dragons->Dungeon Master’s Guide
Monster Treasure Preferences The Monster Manual gives treasure preferences for monsters in that book. These preferences are categorized as follows: Any. The monster has a treasure hoard, the contents
of which you can determine by rolling on the Random Treasure Hoard table. Monetary treasure can take the form of coins, trade bars, trade goods, gems, or art objects (all described in chapter 7